FINGERPRINTS
OF THE GODS
Graham
Hancock
Chapter
37
3
x 7 = 21
2 + 1 = 3
3
+ 7
= 10
Page 334
3 x 3 x 4 = 36
3
+ 6
= 9
3
+ 3 + 4 =
10
Made
by some God
The
original entrance, still well hidden in the the
ninth
century when Ma' mun began tunnelling, was some ten courses
higher, 55 feet above ground level and 24 feet east of the
main north - south axis. Protected by giant limestone
gables, it contained the mouth of the the descending
corridor, which led downwards at an angle of 26*
31' 23" Strangely, although itself
measuring only some 3 feet 5 inches x 3 feet 11
inches, /
"3
feet 5 inches x 3 feet 11 inches"
3
' x 12" = 36
+ 5 = 41
3 ' x 12 " = 36
+ 11" = 47
4 +
1
4 +
7
5 + 11 =
16 1 + 6 = 7
41
+ 47
88
8
+ 8
16
1 + 6
7
"3
feet 5 inches x 3 feet 11 inches"
3
' x 12" = 36
+ 5 = 41
3 ' x 12 " = 36 + 11" =
47
41 x
47
1927
1 + 9 + 2 + 7
19
1 + 9 = 10 1 + 0 = 1
"3
feet 5 inches x 3 feet 11 inches"
3
x 5 x 3 x 11 = 495 4
+ 9 + 5 =
18 1
+ 8
= 9
"3
feet 5 inches x 3 feet 11 inches"
3
feet x 3
feet 5 inches x 11
inches
9
55
Page
335
3
x 3 x 5 = 45
4
+ 5 = 9
/
this
corridor was sandwiched between roofing blocks 8 feet
6inches thick and 12 feet wide and a flooring slab ( known
as the 'Basement Sheet') 2 feet 6 inches thick and 33 feet
wide. 2
Hidden
structural features like these abounded in the great
Pyramid, manifesting both incredible complexity and apparent
pointlessness. Nobody knew how blocks of this size had been
successfully installed, neither did anybody know how they
had been set so carefully in alignment with other blocks, or
at such precise angles (because, as the reader may have
realized,
The
26*
slope of the descending corridor was part of a deliberate
and regular pattern).
Nobody
knew either why these things had been
done.
REIGHT
HERE YOU ARE WAH SCRIBE THREE FOR THEE.
Thank
you said the scribe, no need to
shout
Page
335
"8
feet 6inches
thick and 12
feet
wide"
"'Basement
Sheet' 2
feet 6
inches
thick and 33
feet wide"
" 26*
slope," opined Zed Aliz as if talking to a
three
"8
feet
6inches
thick and 12
feet
wide"
8
' x 12 " + 6 " = 102
" 12' x 12 " = 144
"
1 + 2
1
+ 4 + 4
3 9
3 x 9
27
2 + 7
9
"8
feet
6inches
thick and 12
feet
wide"
8
' x 12 " = 96 + 6 " =
102
" 12 ' x 12 "
= 144
102
+
144 = 206
2
+ 6 = 8
102
x
144 = 14688 1
+ 4 + 6 + 8 + 8
= 27 2
+ 7
= 9
14688
9 = 1632
14688
12 =
1224
14688
864
= 17
Page335
"2
feet 6
inches
thick and 33
feet wide
2
' x 12 " = 24 + 6 "
= 30
inches 33 feet x 12 inches =
396
x 30 inches = 11880
11880
12 = 990
"2
feet 6
inches
thick and 33
feet wide"
30"
x 33 = 990
3
x 3 x 3
3
x 33 = 99
"2
feet 6
inches
thick and 33
feet wide"
2
feet x 33 feet = 66
feet and 6
inches
You
mark my words said Mark
"2
feet 6
inches
thick and 33
feet wide"
2
x 6 x 3 x 3 = 108 1
+ 8 = 9
360*
Minos the king said, a "26*slope" = 334
3 x 3 x 4 = 36 3
+ 6 = 9
3
+ 3 + 4 = 10 =
1
Page
335
The
26*
slope of the descending corridor was part of a deliberate
and regular pattern).
" 26*
slope,"
26
- 36 = 10 1 + 0 = 1
Page
476
Magic
and Mystery in Tibet
Alexandra
David Neel 1931
1
x 9 x 3 x 1 = 27
2
+ 7 = 9
1
+ 9 + 3 + 1 = 14
1 + 4 = 5
Number
of letters in the words
Magic
and Mystery in Tibet
5 3
7
2 5
5
x 3 x 7 x 2 x 5
= 1050 1
+ 5
=
6 5
+ 3 + 7 + 2 + 5
= 22 2
+ 2
= 4
Alexandra
David-Neel
9
5 4 9
x 5 = 45
x 4 = 180 1
+ 8 = 9
9 + 5 = 14
+
4 = 18 1
+ 8 = 9
9
x 4 9 + 4 =
13 1
+ 3 = 4
36
3 +
6 9
Magic
and Mystery in Tibet
5 3
7
2 5
5
x 3 x 7 x 2 x 5
= 1050 1
+ 5
=
6 5
+ 3 + 7 + 2 + 5
= 22 2
+ 2
= 4
Alexandra
David-Neel
9
5 4
9
x 5 = 45
x 4 = 180 1
+ 8 = 9
9 + 5 = 14
+
4 = 18
1 + 8 = 9
5
+ 3 + 7 + 2 + 5 = 22 letters 1n title
2 + 2 = 4
+
9 + 7 + 2 + 5 = 23 in
name 2
+ 3 = 5
5 + 4
9
The
Splendour That Was Egypt
Margaret
A. Murray 1951
Page
162
"Thoth
is usually figured as an ibis or an ibis-headed man His
sacred animal was the cynocephalus, the dog-headed
baboon;
In
this form Thoth is always entirely animal, never a man with
an ape's head."
The
Splendour That Was Egypt
Margaret
A. Murray 1951
Page
164
"
In
many countries the Divine King was allowed to reign for a
term of years only,
usually seven
or
nine
or
multiples of those numbers. /
The
Masters of Wisdom
J.G.Bennett
1977
Page
85
"
The truth is very simple. Six
days later, Jesus takes three
of those who were standing there: James and John, the sons
of Zebedee, and Peter up into a high mountain apart,
Matthew 17:1.
We
have now to part company with nearly every account of the
Transfiguration. This stupendous event
occupies
nine
verses in Matthew and Luke and seven
in
Mark's
gospel."
Fingerprints
Of The Gods
Graham
Hancock
Pandora's
Box
Page
332
"I
now stepped into the monuments inner chamber, which might
have been a tomb but might equally have served some other as
yet unidentified purpose."
Chapter
36
3
x 6 =
18
1
+ 8
= 9
3
+ 6 = 9
Page 333
3
x 3 x 3
= 27
2
+ 7
= 9
3
+ 3 + 3
= 9
'Anomalies'
"As
I gazed into its dark interior, it seemed to gape like the
doorway
to another dimension."
Page
331
3 x 3 x 1 = 9
3
+ 3 + 1 = 7
"We
need not reiterate here the many shortcomings of the 'tombs
and tombs only' theory."
"
Not a single one of these monuments had ever been found to
contain the body of a pharaoh, or any signs whatsoever of a
royal burial."
Page
336
3
x 3 x 6 =
54
5
+ 4
= 9
3
+ 3
= 6 +
6
= 12
1
+ 2
= 3 /
acres
? Why was it almost 500 feet high? Why in other words, if
its purpose was to conceal and protect the body of Khufu,
had it been designed so that it could not fail to attract
the attention -
in
all epochs and under all imaginable circumstances
-
of
treasure crazed adven-turers and of prying and imaginative
intellectuals ?
It was simply not credible that the brilliant architects,
stonemasons, surveyors and engineers who had created the
Great Pyramid could have been ignorant of basic human
psychology. The vast ambition and transcendent
beauty, power and artistry of their handiwork
spoke of refined skills, deep insight, and a complete
understanding of the symbols and primordial patterns by
which the minds of men could be manipulated. Logic therefore
suggested that the pyramid builders must have understood
exactly what kind of beacon they were piling up (with such
incredible precision) on this widswept plateau, on the west
bank of the Nile, in those high and far away
times.
They
must, in short, have wanted this remarkable structure to
exert a perennial fascination: to be violated by intruders,
to be measured with increasing degrees of exactitude, and to
haunt the collective imagination of mankind like a
persistent ghost summoning intimations of a profound and
long forgotten secret.
Page
338
"
Not
for the first time, and not for the last, I was overwhelmed
by a sense of contact with an ancient intelligence, not
necessarily Egyptian or Mexican, which had found a way to
reach out across the ages and draw people
towards it like a beacon. Some might look for
treasure; others, captivated by the deceptively simple
manner in which the builders had used
pi
to
demonstrate their mastery of the secrets of transcendental
numbers, might be inspired to search for further
mathematical epiphanies."
(
Page 354
"...Acting
on impulse, I climbed into the granite coffer and lay down,
face upwards, my feet pointed towards the south and my head
to the north."
"...I
folded my hands across my chest and gave voice to a
sustained low-pitched tone -
something
I had tried out several times before at other points in the
King's Chamber. On these occasions, in the centre of the
floor, I had noticed that the walls and ceiling seemed to
collect the sound, to gather and to amplify it and project
it back at me so that I could sense the returning vibrations
through my feet and scalp and
skin.
Now
in the sarcophagus I was aware of very much the same effect,
although seemingly amplified and concentrated many times
over. It was like being in the sound-box of some giant,
resonant musical instrument designed to emit for ever just
one reverberating note. The sound was intense and quite
disturbing. I imagined it rising out of the coffer and
bouncing off the red
granite
walls and ceiling of the King's Chamber, shooting up through
the northern and southern 'ventilation' shafts and spreading
across the Giza plateau like a sonic
mushroom
cloud.
With
this ambitious vision in my mind, and with the sound of my
low-pitched note echoing in my ears and causing the
sarcophagus to vibrate around me, I closed my eyes."
)
Lyall
Watson 1974
Edition
Page
97/
98
"Sound,
of course, is a vibration that can be conducted only through
an elastic medium; it cannot travel through a vac-uum.
Electromagnetic waves do travel through free space, and we
know far less about factors governing their resonance. There
is however, one quite extraordinary piece of evidence
which suggests that shape could be important in
receiving even cosmic stimuli. It comes from those
favourites of mystics throughout the ages-the pyramids of
Egypt.
'The
most celebrated are those at Giza built during the
fourth.dynasty of which the largest is the one that housed
the pharaoh Khufu, better known as Cheops. This is now
called the Great Pyramid Some years ago it was visited by
a
French-man named
Bovis, who took refuge from the midday sun in the pharaoh's
chamber, which is situated at the center of the pyramid,
exactly one third of the way up from the base He found it
unusually humid there,but what really surprised / him were
the garbage cans that contained, among the
usual tourist litter,the bodies of a dead cat and
some small desert animals that had wandered into the pyramid
and died there. Despite the humidity none of them had
decayed but just dried out like mummies. He began to wonder
whether the pharaohs had really been so carefully embalmed
by their subjects after all, or whether there was something
about the pyramids themselves that preserved bodies in a
mummified condition. Bovis made an accurate scale model of
the Cheops pyramid and placed it like the original with the
base lines,facing precisely north-south east-west. Inside
the model one third of the way up, he put a dead cat. It
became mummified and he concluded that the pyramid promoted
rapid dehy-dration.
Reports
of this discovery attracted the attention of Karel Drbal, a
radio engineer in Prague, who repeated the experiment with
several dead animals and concluded, " There is a relation
between the shape of the space inside the pyramid and the
physical and biological processes going on inside that
space. By using suitable forms and shapes,
We
should be able to make processes occur faster or delay
them." Note 233
Page
99
"...We
can only guess that the Great Pyramid and its little
imitations acts as lenses that focus en-ergy or as
resonaters that collect
energy,..."
Have
you seen my stick scribe, said Zed Aliz Zed
wishing to practice a little more
magic.
The
Magic Mountain
Thomas
Mann 1875-1955
Page
511
"Hermetics
- what a lovely word "
"...It
sounds like magiking,and has all sorts of vague and extended
associations .You must excuse my speaking of such a thing
but it reminds me of the conserve jars that our housekeeper
..."
"...keeps
in her larder. She has rows of them on her shelves,
air-tight glasses full of fruit and meat and all
sorts of things.They stand there maybe a whole year-you open
them as you need them and the contents are as fresh as on
the day they were put up, you can eat them just as they
are.To be sure, that isn't alchemy or purification, it is
simply conserving , hence the word
conserve.The
magic part of it lies in the fact that the stuff that is
conserved is withdrawn from the effects of time,t is
her-metically sealed from time, time passes it by, it stand
there on its shelf shut away from
time."
Brahma
If
the red slayer think he slays,
Or if the slain think he is
slain
They
know not well the subtle
ways
I
keep and pass and turn
again.
R.W.Emerson
Encyclopedia
Of Ancient And Forbidden Knowledge
Zolar
1988 Edition
Page
39
KABBALISTIC
WISDOM
There
is no death; there is no destruction. All is but change and
transformation-first
the caterpillar, then the chrysalis, then the mighty mind,
and at last a noble Soul."
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