John Michell 1969

Page

"That this small gold pyramid ion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are liot quite complete, for if it were removed, the area of the Pyramid's side would be 99999'99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area.
   As the dimensions of the Great Pyramid are multiplied by the ratios of the ancient number canon they expand to frame the dimensions of this earth, and it is possible that they could have been taken further to represent the dimensions of the grand orb (the circle described by the
earth's path round the sun), planetary-intervals and the measurements.
of time. Going the other way, into the microcosm, these same Pyramid measures contract proportionally through a series of pyramidions at the apex, shrinking from miles to inches, to mere specks and finally into the world of the atom. The symbolism is of a seed, planted at the apex of the Pyramid, programmed with all the numbers and ratios for its potential growth. It is like that, smallest of all seeds, spoken of in the New Testament, the 'grain of mustard', which grows up into the Tree of Life encompassing the whole universe.
   The numerical patterns in the Pyramid's dimensions imply that the capstone consisted of a succession of diminishing pyrami9ions, each forming the tip of the one below it, with the small gold pyramid, 5 cubic inches in volume, at the apex. Yet if the gold model is to represent the whole structure in miniature, it must itself have a separate tip. This tiny object, set in gold, could only have been some form of crystal. Esoteric traditions about the use of crystals in the ancient world for attracting and transmitting cosmic energies are echoed by modern seers, such as the well-known 'Sleeping Prophet' of America, Edgar Cayce, who described visions of the Atlantean crystal technology which empowered the last world civilization and finally, by its abuse, brought about the cataclysm.
  An illustration of how the small, golden, crystal-topped pyramidion could have been held in place, together with the other layers making up the capstone, is given by a strange hieroglyph which shows a truncated pyramid topped by a staff or gnomon"

 

 

 

Robert Bauval

Page xxiii

"On the 3rd October 1998, a press conference was organised in Cairo for Minister of Culture Farouk Hosni and the French composer Jean Michel Jarre. The latter has been an international household name since the 1970s due to the enormous success of his electronic high-tech music compositions 'Oxygene' and 'Equinox'. Jean Michel Jarre is also an ambassador for UNESCO and has, since the 1980s, been organising extravaganzas of laser lights and music for historical events. One of these was for the bicentennial of the French Revolution in 1989, where more than two million spectators gathered in the Champs-Elysees in Paris, from the Place de la Concorde all the way to the new 'Paris 2000' Place de la Defense. This show, which was televised around the world, featured a pyramid structure erected in front of the Grande Arche de la Fraternite, literally the' Arch of the Brotherhood'. From the high-tech pyramid, laser images were projected on to the high-rise buildings nearby, including at one stage the so-called 'eye of vigilance', a symbol commonly used by Freemasons.14 During the press conference the Egyptian Minister of Culture stated that an opera composed by Jarre, entitled 'The Twelve Dreams of the Sun', would be performed to coincide with the unveiling of the golden capstone for the Great Pyramid at the end of the millennium, and Jarre himself declared that 'since the pyramids are linked to the sun' he had decided to stage a 'modern, multimedia opera that will last twelve bows and accompany the sun from the second millennium to the third millennium in the tradition of Ra, the pharaonic sun god'.
Farouk Hosni then explained that this event was also connected to / Page xxiv / another similar event that had recently taken place in Paris in May 1998, when a gilded capstone was placed on the Egyptian obelisk of the Place de la Concorde.15 There is a strange history attached to this obelisk. It had originally stood as one of a pair outside the Temple of Luxor in Upper Egypt. In 1827 it was commissioned by Charles X to be brought to France, but it arrived in Paris in 1836 and was erected at thePlace de la Concorde by Louis-Philippe. Interestingly, both these monarchs were prominent members of the Grand Orient, the body that regulates Freemasonry in France.16 Other Egyptian obelisks were also erected in New York's Central Park and London's Victoria Embankment in the 1 870s. These events, too, were under the auspices of the Masonic Lodges. 17 All stand as symbols of Freemasonry's alleged roots in ancient Egypt. The main symbol, in fact, is not the whole obelisk; in Masonic lore the golden pyramidion or capstone that crowns its top is a symbol with many layers of meaning. At one level it represents the so-called Supreme Being under whom all religious systems can unite.

 

 

MAM = 9 9 = DAD 

 

9PURESTDIVINELOVE9 

 

 

 

 

  THE LOST WORLDS OF 2001 Arthur C. Clarke 1972 Page179 "A long time ago," said Kaminski, "I came across a remark that I've never forgotten-though I can't remember who made it. 'Any sufficiently advanced technology is indistinguishable from magic.' That's what we're up against here. Our lasers and mesotrons and nuclear reactors and neutrino telescopes would have seemed pure magic to the best scientists of the nineteenth century. But they could have understood how they worked-more or less-if we were around to explain the theory to them."

 Page 189

"The other is Clarke's Third* Law

"Any sufficiently advanced technology is indistinguishable from magic"

 

GODS OF THE DAWN

Peter Lemesurier

1997

"As Arthur C. Clarke's perceptive Third Law puts it:

"Any sufficiently advanced technology is indistinguishable from magic."

 

THE SECRET HISTORY

OF

ANCIENT EGYPT

Herbie Brennan

2000

"The British science fiction writer Arthur C. Clarke is said to have commented that

"any sufficiently high technology is indistinguishable from magic"

 

THE BIBLE CODE

Michael Drosnin 1997

Chapter Four

THE SEALED BOOK  

Page 70

"The astronomer Carl Sagan once noted that if there was other intelligent life in the universe some of it would have certainly evolved far earlier than we did, and had thousands, or hundreds of thousands, or millions, or hundreds of millions of years to develop the advanced technology that we are only now beginning to develop.

'After billions of years of biological evolution - on their planet and ours - an alien civilization cannot be in technological lockstep with us,' wrote Sagan.

'There 'have been humans for more than twenty thousand centuries, but we've had radio only for about one century,' wrote Sagan. 'If alien civilizations are behind us, they're likely to be too far behind us to have radio. And if they're ahead of us, they're likely to be far ahead of us. Think of the technical advances on our world over just the last few centuries. What is for us technologically difficult or impossible, what might seem to us like magic, might for them be trivially easy.'

The author of 2001, Arthur C. Clarke - who envisioned a mysterious black monolith that reappears at successive stages of human evolution, each time we are ready to be taken to a higher level - made a similar observation:

'Any sufficiently advanced technology is indistinguishable from magic.'

Page 163

The author of 2001, Arthur C. Clarke, made a similar observation: 'Any sufficiently advanced technology is indistinguishable from magic' (Profiles of the Future, Holt, Rinehart, and Winston, 1984).

Paul Davies' imagined 'alien artifact' is described in his book Are We Alone? (Basic Books, 1995), p. 42. Stanley Kubrick, in his famous movie version of Clarke's 2001, showed a mysterious black monolith that seemed to reappear at successive stages of human evolution, each time we were ready to be taken to a higher level. When I told him about the Bible code, Kubrick's immediate reaction was, 'It's like the monolith in 2001.' "

  FIRST CONTACT THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE Edited By Beb Bova and Byron Preiss 1990     SEIZING THE MOMENT A UNIQUE MOMENT IN HUMAN HISTORY Michael Michaud  ANTHROPOCENTRISM GOOD-BYE

The revelation that we are not the most technologi-cally advanced intelligent species could lead to a humbling deflation of our sense of self-importance. We might reclassify ourselves to a lower level of ability and worth. This leveling of our pretensions, this anti-hubris, could be intensified if we were confronted with alien technology beyond our understanding.

(Arthur C. Clarke has observed that any sufficiently advanced tech-nology would be indistinguishable from magic.) "ANY SUFFICIENTLY ADVANCED TECHNOLOGY IS INDISTINGUABLE FROM MAGIC"     MAGI MAGIC INTO IMAGE SEE     JOSEPH AND HIS BROTHERS THOMAS MANN 1875 - 1955 MINERVA 1997 "But we are speaking of two different things. My Majesty speaks of the fetters which the teaching puts upon the thoughts of God; yours refers to priestly statecraft, which divides teaching and knowledge. But Pharaoh would not be arrogant, and there is no greater arrogance than such a division. No, there is no arrogance in the world greater than that of dividing the children of our Father into initiate and uninitiate and teaching double words: all-knowingly for the masses, knowingly in the inner circle. No, we must speak what we know, and witness what we have seen. Pharaoh wants to do nothing but improve the teaching, even though it be made hard for him by the teaching."       JOSEPH AND HIS BROTHERS Thomas Mann 1875 - 1955 MINERVA 1997 Page 890 8 x 9 72

 "In all there were two-and-seventy conspirators privy to the plot. It was a proper and a pregnant number, for there had been just sev-enty-two when red Set lured Usir into the chest. And these seventy-two in their turn had had good cosmic ground to be no more and no less than that number. For it is just that number of groups of five weeks which make up the three hundred and sixty days of the year, not counting the odd days; and there are just seventy-two days in the dry fifth of the year, when the gauge shows that the Nourisher has reached his lowest ebb, and the god sinks into his grave. So where there is conspiracy anywhere in the world it is requisite and custom-ary for the number of conspirators to be seventy-two. And if the plot fail, the failure shows that if this number had not been adhered to it would have failed even worse."

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

Page 255

" In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context is understood, we have also to consider the amazing profusion of funerary texts that have come down to us from all periods of Egyptian history - all apparently emanating from the same very few common sources⁵ As we have seen, these texts operate like 'software' to the monuments' 'hardware', charting the route that the Horus-King (and all other future seekers) must follow.

We recall a remark made by Giorgio de Santillana and Hertha von Dechend in Hamlet's Mill to the effect that the great strength of myths as vehicles for specific technical information is that they are capable of transmitting that information independently of the knowledge of individual story-tellers.⁶ In other words as long as a myth continues to be told true, it will also continue to transmit any higher message that may be concealed within its structure - even if neither the teller nor the hearer understands that message."

MAGNETIC = 72 and 7 + 2 = 9

FIELD = 36 and 3 + 6 = 9

MAGNETIC FIELD = 108 and 1 + 0 + 8 = 9

PHYSICS = 99

 

HARMONIC 288
Bruce Cathie
1977
EIGHT

THE MEASURE OF LIGHT
Page 95
"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."

 

 

MIN DOTH DREAM WHAT DOTH MIN MEAN

 

CHEIRO'S
BOOK OF NUMBERS
Circa 1926

Page106
"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English litera-ture for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all.

"The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?

 

THE

QUESTION

HAS BEEN ASKED AGAIN AND AGAIN

IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE

THE TIDE AT THE

FLOOD 

 

EIGHTEENTHIRTYSIX = 9 9 = XISYTRIHTNEETHGIE

1836

 

THE

HOURS OF HORUS

O

NAMUH

IS

UPON

US

THIS

WORK OF MANY

I