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  • File : 1255548945.gif-(9 KB, 686x517, 4thwall.gif)
    9 KB Anonymous 10/14/09(Wed)15:35 No.5196861  
    Do you like it when movies break the fourth wall? if yes, what are some of your favorite ones, if no, why do you hate it?
    >> Anonymous 10/14/09(Wed)15:36 No.5196867
    Depends entirely on the context.
    >> Anonymous 10/14/09(Wed)15:36 No.5196869
    It's usually done to be funny / clever and is sadly niether
    >> Anonymous 10/14/09(Wed)15:36 No.5196878
    Entry level technique to keep the mouthbreathers entertained.
    >> Anonymous 10/14/09(Wed)15:37 No.5196881
    What does breaking the fourth wall mean?
    >> Anonymous 10/14/09(Wed)15:37 No.5196883
    most recent i saw was Whatever It Takes
    >> Anonymous 10/14/09(Wed)15:38 No.5196888
    >>5196867
    this
    >> Anonymous 10/14/09(Wed)15:38 No.5196889
    I can't even name an instance of this happening in a movie outside of Ferris Beuller's Day Off.
    >> Anonymous 10/14/09(Wed)15:38 No.5196891
    >>5196861
    Depends on the movie, and how it is handled.
    >> Anonymous 10/14/09(Wed)15:38 No.5196892
    It's almost never an acceptable technique.

    Shakespeare did it a few times though, so it can't be all bad.
    >> Anonymous 10/14/09(Wed)15:38 No.5196895
         File1255549107.jpg-(23 KB, 400x292, taco.jpg)
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    Fight Club did an alright job with breaking the fourth wall.
    >> Anonymous 10/14/09(Wed)15:38 No.5196899
    >>5196867
    This.

    And this one is my favorite:
    http://www.youtube.com/watch?v=FdTF4w03Vbo&feature=player_profilepage
    >> Anonymous 10/14/09(Wed)15:38 No.5196900
    Goodfellas did it to great effect.
    >> Anonymous 10/14/09(Wed)15:39 No.5196903
    >>5196881
    It's when a movie admits IT IS A MOVIE.
    >> Anonymous 10/14/09(Wed)15:39 No.5196905
    >>5196892
    >It's almost never an acceptable technique.
    Wrong.
    >> Anonymous 10/14/09(Wed)15:40 No.5196913
    Rarely done well. Best example is Blazing Saddles.
    >> Anonymous 10/14/09(Wed)15:40 No.5196920
    It's usually annoying, but it can be okay.

    I think it kind of works in Malcolm in the Middle.
    >> Anonymous 10/14/09(Wed)15:41 No.5196922
    >>5196895
    True, a narrator talking right into the camera for a lot of the movie.
    >> Anonymous 10/14/09(Wed)15:41 No.5196925
    >>5196905

    Name me some instances when it adds to rather than detracts from the performance then, internet tough guy.
    >> Heisenberg !!MccXMv5WZnz 10/14/09(Wed)15:41 No.5196927
    >>5196925
    Goodfellas
    >> Anonymous 10/14/09(Wed)15:41 No.5196928
    THis is only acceptable when the Mark Brothers do it. Otherwise, it's bullshit.
    >> Anonymous 10/14/09(Wed)15:41 No.5196935
    >>5196899
    HOLY SHIT! I have been looking for the name of that movie ever since I saw it on Sundance channel a while back. that movie is was fucking good.
    >> Anonymous 10/14/09(Wed)15:42 No.5196939
    >>5196913

    Every Mel Brooks film breaks the 4th wall, and they are all decent.
    >> Anonymous 10/14/09(Wed)15:42 No.5196941
    i find it disturbing, and for this reason i think it works extremely well in Funny Games
    >> Anonymous 10/14/09(Wed)15:42 No.5196943
    >>5196925
    >>5196899
    >> Anonymous 10/14/09(Wed)15:42 No.5196946
    Kiss Kiss Bang Bang
    Funny Games
    >> Anonymous 10/14/09(Wed)15:42 No.5196948
    >>5196899
    I will not watch that because there is no wall breaking in Memories of Muder.
    >> Anonymous 10/14/09(Wed)15:44 No.5196970
    >>5196946
    >>5196941
    Funny Games used it fucking horribly, because the director is just a pretentious fuck, putting his shitty message on a pedestal above the films entertainment value.
    >> Anonymous 10/14/09(Wed)15:44 No.5196973
    >>5196925
    Already been mentioned, but Fight Club
    >> Anonymous 10/14/09(Wed)15:45 No.5196986
    what the fuck is a fourth wall
    >> Little Guido !CASHFEpb1Q 10/14/09(Wed)15:46 No.5196993
    >>5196920
    That's different. MitM is built AROUND this. It relies on a character narrator. I think what we're talking about is a sporadic moment. I believe someone mentioned Blazing Sadles.
    >> Anonymous 10/14/09(Wed)15:46 No.5196996
         File1255549602.jpg-(117 KB, 400x300, mygod.jpg)
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    >>5196986
    Seriously?
    >> Anonymous 10/14/09(Wed)15:47 No.5197000
         File1255549626.jpg-(105 KB, 359x477, 1254893549431.jpg)
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    Family Guy!!!!!!!!!!!!!!!!
    >> Anonymous 10/14/09(Wed)15:47 No.5197008
    >>5196970
    >the director is just a pretentious fuck, putting his shitty message on a pedestal above the films entertainment value.

    That was the point of the whole movie. It had nothing to do with the 4th wall breaking in particular.
    >> Anonymous 10/14/09(Wed)15:48 No.5197009
    >>5196986
    No John, YOU are the fourth wall.

    No, litterally. The audience is the place of the invisible wall of a scene (aka, 4th wall). when a character starts speaking to the audience, this is called, breaking the 4th wall rule.

    Technically not a rule, but highly unacceptable.
    >> Anonymous 10/14/09(Wed)15:48 No.5197011
    >>5196925
    JCVD... Jean-Claude Van Damme in the single best movie of his career.
    >> Anonymous 10/14/09(Wed)15:48 No.5197012
         File1255549696.jpg-(28 KB, 800x450, 1246902992705.jpg)
    28 KB
    Ghostbusters
    >> Anonymous 10/14/09(Wed)15:48 No.5197018
    Dudepeel should do it in his upcoming spinoff.
    >> Anonymous 10/14/09(Wed)15:48 No.5197020
    >>5197008
    god forbid a director try to say something with a movie
    >> Anonymous 10/14/09(Wed)15:48 No.5197021
    >>5196941
    Agreed. The fourth wall breaking in this movie helped portray the killers as...well...as characters in the film who KNEW they were, and it made us question their motives...etc....
    >> Anonymous 10/14/09(Wed)15:49 No.5197024
    >>5196986

    When watching a film/tv show, you can usually see 3 of the walls in any given room, right? The fourth wall is invisible, it's the one behind the camera, where the audience is. When breaking the metaphorical fourth wall, that barrier is broken and the audience is acknowledged or addressed.
    >> !ERRORUrDmk 10/14/09(Wed)15:49 No.5197028
    >>5196970
    >ENTERTAINMENT IS THE ONLY REASON MOVIES ARE MADE! STOP TRYING TO MAKE ME THINK, ASSHOLES! DERP!

    Fixed.
    >> Anonymous 10/14/09(Wed)15:49 No.5197031
    >>5196925
    The Great Dictator.
    >> Anonymous 10/14/09(Wed)15:50 No.5197037
    >>5196948
    So at the end of that clip, he's not watching DIRECTLY into the camera/the viewers eyes?

    Because the director wanted to look the uncaught murderer in the eye, who's probably still alive today, and he'd probably watch the movie, because it is based on his crimes?
    >> Anonymous 10/14/09(Wed)15:50 No.5197043
    >>5197028
    Oh look, another tripfag who thinks they know right.
    >HURR HU CARES ABOUT ENTERTAINMENT?
    >> Anonymous 10/14/09(Wed)15:52 No.5197060
    If they do it in a pentagonal room do they call it breaking the fifth wall?
    >> !ERRORUrDmk 10/14/09(Wed)15:52 No.5197061
    >>5197043
    Actually, Funny Games made me think *and* entertained me. Shocking, I know.
    >> Anonymous 10/14/09(Wed)15:53 No.5197079
    when do they do it in fight club? not seen it in ages.

    unless you're talking about the narration by nortons character, but that's not the same thing is it?
    >> Anonymous 10/14/09(Wed)15:54 No.5197090
    >>5197060

    If they're in an igloo, do they call it breaking the ice?
    >> Anonymous 10/14/09(Wed)15:55 No.5197096
    >>5197079
    brad pitt pointing at the cigarette burns, for one
    >> Heisenberg !!MccXMv5WZnz 10/14/09(Wed)15:55 No.5197101
    >>5197079
    Ah... flashback humor.
    >> Anonymous 10/14/09(Wed)15:55 No.5197103
    >>5197009
    oh, I've seen those. Thanks for explaining that shit bro, I've seen that a lot of times. Uhh, I always get that feeling when someone looks directly into the camera for a short time.
    >> Anonymous 10/14/09(Wed)15:56 No.5197107
    >>5197079
    flashback humor, cigarette burns, dick at the end
    >> Anonymous 10/14/09(Wed)15:56 No.5197108
    >>5197079
    The problem is that the fourth wall can be subjective in places. The realism within a movie, and reality can intertwine, and become unclear - as narration in a film would be. Yes, he's talking to the viewer (beit direct or indirectly), but he's also just narrating his life, he could be talking to anyone or no one.
    >> Anonymous 10/14/09(Wed)15:56 No.5197110
    >>5197079

    The part where Norton explains how 'Tyler Durden' splices pornography frames into cinema movies.
    >> Anonymous 10/14/09(Wed)15:57 No.5197120
    >>5197037
    He doesn't acknowledge the fact that he is looking at a camera, so the fourth wall is still intact.

    What i mean is, in films where the fourth wall is broken it's usually with a sly wink or a smirk, or a speech given directly to the camera itself.

    Someone just looking into a camera isn't breaking the fourth wall per se, unless they are actually acknowledging the audience.
    >> Anonymous 10/14/09(Wed)15:58 No.5197126
         File1255550286.jpg-(39 KB, 400x300, annie-hall_l.jpg)
    39 KB
    "Boy, if life were only like this..."
    >> Anonymous 10/14/09(Wed)15:58 No.5197129
    >>5197037
    >he's not watching DIRECTLY into the camera/the viewers eyes?
    Yes, exactly. The character facing the camera is not the same as them looking directly at the viewer. Yes, he can be doing that, but there is no wall breaking. For 99.99% he just turns his head, he faces forward.
    >> Anonymous 10/14/09(Wed)15:59 No.5197134
    >>5197079
    I would count the narration as fourth wall breaking, because the narrator is talking directly to the audience, thus acknowledging them.
    >> Anonymous 10/14/09(Wed)16:00 No.5197144
    I know scary movie 3 sucks but there's one scene where the girl gets shocked by the sound of a boat from the next scene which is pretty funny.
    >> Anonymous 10/14/09(Wed)16:02 No.5197149
    >>5197079
    >>5197110

    Y'all forgetting the ending.

    When the pornography is spliced right into the movie.
    >> Anonymous 10/14/09(Wed)16:02 No.5197154
    >>5197134

    Correct, there is a difference between narration and someone extensively watching the movie with the audience. Shawshank Redemption would be narration.

    Fight Club it's almost as if he is watching the film with the audience, telling them to watch this or look out for that and the general tone of Norton's voice throughout the movie interacts with what is going on in the story.
    >> Anonymous 10/14/09(Wed)16:03 No.5197162
    Sort of related, but there is a scene in The Thing where John Carpenter wanted to film an angle in the rec room that required him to place the camera behind the outside wall of the room and remove the wall of the set, such that everything in the room placed up against the wall was still there... it bugged him but the shot worked and it isn't noticeable unless you are looking for it and know it's there.
    >> Anonymous 10/14/09(Wed)16:03 No.5197165
    >>5197149
    A flacid dick is not pornography.
    >> Anonymous 10/14/09(Wed)16:03 No.5197167
    Kiss Kiss, Bang Bang and JCVD were both acceptable fourth wall breaks. Most of the time it is just annoying though. I don't care if it's done in a comedy, but if it's something that is genuinely trying to tell a story then it needs to keep me the fuck out of that story.

    A friend of mine tried to get me to watch The Nanny Diaries, and it was filled with bullshit 4th wall breaks.
    >> Anonymous 10/14/09(Wed)16:05 No.5197182
    >>5197134

    Narration doesn't necessarily break the fourth wall.
    >> Anonymous 10/14/09(Wed)16:06 No.5197189
    >>5197165

    Wh... what kind of point are you making...
    >> !ERRORUrDmk 10/14/09(Wed)16:06 No.5197190
         File1255550799.jpg-(21 KB, 500x319, funnygames12.jpg)
    21 KB



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