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12/06/11(Tue)03:35:17 No. 633547 >>633539 >>633543 "Only
a male intellect clouded by the sexual drive could call the stunted,
narrow-shouldered, broad-hipped and short-legged sex the fair sex: for
it is with this drive that all its beauty is bound up. More fittingIy
than the fair sex, women could be called the unaesthetic sex. Neither
for music, nor poetry, nor the plastic arts do they possess any real
feeling or receptivity: if they affect to do so, it is merely mimicry in
service of their effort to please. This comes from the fact that they
are incapable of taking a purely objective interest in anything
whatever, and the reason for this is, l think, as follows. Man strives
in everything for a direct domination over things, either by
comprehending or by subduing them. But woman is everywhere and always
relegated to a merely indirect domination, which is achieved by means of
man, who is consequently the only thing she has to dominate directly.
Thus it lies in the nature of women to regard everything simply as a
means of capturing a man, and their interest in anything else is only
simulated, is no more than a detour, i.e. amounts to coquetry and
mimicry." "Would any link be missing from the whole chain of
science and art, if woman, if woman's work, were excluded from it? Let
us acknowledge the exception - it proves the rule - that woman is
capable of perfection in everything which does not constitute a work: in
letters, in memoirs, in the most intricate handiwork - in short,
everything which is not a craft; and precisely because in the things
mentioned woman perfects herself, because in them she obeys the only
artistic impulse in her nature, which is to captivate."