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12/13/08(Sat)07:00:05 No.2424801Ok, so here's my list of demands.
That's a title too, if you dare to write from a female perspective, "His List of Demands."
The
story should appeal to both men and women without talking down to
either. It isn't a mushy love story, and it should have substance.
The
story should have a recognizable beginning, middle, and end. Don't be
afraid to remove what doesn't belong, nobody wants to read filler. It
kills the pacing and RUINS a story.
Drama derives from some sort
of conflict, so keep that in mind. The self-interests of the characters
is a good way to bring this about, not only does it seem more plausible
than a life-threatening meteor, but it makes the characters seem more
human. Flesh them out, damn it. They should not be endless variations
of the same person.
Though I love to read, I am not a writer,
but if I even THINK I can write a better book than one I just read, the
author failed. You don't want to be that author.
If you can
get away with actually writing suspense, that's a plus but don't get
hung up on it. If you try anyway knowing you can't, It'll show.
Write
what you know, though, and make it smart. Robin Cook, like him or hate
him, sells because people accept that he knows what he's talking about.
There are no vampires in the book or any of its sequels, tie-ins, or canonical universe.
Don't
bullshit me, invent too many terms (you'll know if you have to explain
how things work), rely on other people's fictional tropes, or dare to
write a fan service or status quo ending because I will find you and I
will hang you by your intestines.
Look to Steinbeck for form and Joseph Conrad for style (as long as you understand I don't mean Heart of Darkness).
Avoid sounding like Ayn Rand or Chuck Palahniuk.
The rest is up to you. Only you know your strengths and weaknesses and those should be your guides. |