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  • File : 1327481825.jpg-(111 KB, 1000x667, yall.jpg)
    111 KB Anonymous 01/25/12(Wed)03:57 No.1500053  
    Disclaimer: the photographs selected in no way claim to provide a comprehensive overview of yall's work and were only chosen out of convenience.
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    >> Anonymous 01/25/12(Wed)03:58 No.1500054
         File1327481909.jpg-(202 KB, 667x1000, 1.jpg)
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    A photograph that heralds the end of the 'Pretty Era'. The overcast sky foreshadows the use of less aesthetically pleasing subject matter.Note that the environment is completely untainted by man, yet the pillar seems completely 'constructed'.
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    >> Anonymous 01/25/12(Wed)04:00 No.1500057
         File1327482023.jpg-(135 KB, 1000x401, 2.jpg)
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    In this example, the road splits apart the once pristine Tasmanian landscape and provides the conceptual basis for yall's later work. The panoramic format stands as an ironic nod to popular Tasmanian landscape photographers, poking fun at their apparent need to include more scenery than needed to convey a point.
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    >> Anonymous 01/25/12(Wed)04:02 No.1500059
         File1327482167.jpg-(614 KB, 666x1000, 3.jpg)
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    Man made objects now feature heavily in yall's work, even becoming the subject in this example. However, if only temporarily, the aesthetic beauty remains. Photographs made after this time signal the beginning of the Suburbiacore Period.
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    >> Anonymous 01/25/12(Wed)04:04 No.1500061
         File1327482271.jpg-(190 KB, 1000x667, 1.jpg)
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    This photograph maintains the theatrical light of previous examples, but transfers it into a before unseen milieu. This new environment is crucial to all of yall's later work, becoming a personal obsession.
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    >> Anonymous 01/25/12(Wed)04:06 No.1500063
         File1327482370.jpg-(252 KB, 1000x667, 2.jpg)
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    Stripped of the 'interesting' light of previous work, this work provides a glimpse into the austere lifestyle of Tasmanians in housing commission areas.
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    >> Anonymous 01/25/12(Wed)04:09 No.1500066
         File1327482542.jpg-(267 KB, 1000x667, 3.jpg)
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    A photograph that displays absolutely nothing. Much of yall's contemporary work is very similar to this.
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    >> Anonymous 01/25/12(Wed)04:15 No.1500072
         File1327482924.jpg-(357 KB, 1000x669, 1.jpg)
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    Yall's (first) Walls: photographed parallel to a wall and with a long normal lens, these wall photographs provided an unforeseen burst of fame burst of fame for yall that inspired him to continue creating similar works.
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    >> Anonymous 01/25/12(Wed)04:23 No.1500078
    I can't read your sarcasm over the internet, so I can't tell whether you're taking the piss out of yall or not. I'd just like to say that these photos are genuinely good and that all the hate yall gets from people on /p/ is unjustified.
    >> Anonymous 01/25/12(Wed)04:28 No.1500080
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    >this thread
    >> Anonymous 01/25/12(Wed)04:31 No.1500084
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    A continuation of the theme that was to become yall's 'style'.
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    >> Anonymous 01/25/12(Wed)04:33 No.1500087
         File1327483983.jpg-(216 KB, 1000x667, 3.jpg)
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    yall moved on to different subjects, photographed in the same style as his wall images, perhaps as a result of boredom. It is assumed he could sense limitations forming and began to branch out.
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    >> Anonymous 01/25/12(Wed)04:36 No.1500090
         File1327484185.jpg-(243 KB, 1000x667, 1.jpg)
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    A renaissance: during this period, yall created some of his most powerful wall images, such as this oft-overlooked photograph. The small sprigs of grass represent the difficulty yall endured trying to make it in the 'gangsta's paradise' that is the fine art world.
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    >> Anonymous 01/25/12(Wed)04:37 No.1500091
    >>1500087
    fuck off back to you hole you slimy cunt

    if you wanna fucking fight me come meet me in sydney and i'll put three bricks in ya body, one in your skull, one in your mouth, and one up your fucken arse
    >> Anonymous 01/25/12(Wed)04:37 No.1500093
         File1327484275.jpg-(297 KB, 1000x666, 2.jpg)
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    However, it soon became obvious that these images could only reach their full potential within the context of a book.
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    >> Anonymous 01/25/12(Wed)04:39 No.1500095
         File1327484388.jpg-(273 KB, 1000x666, 3.jpg)
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    In late 2010, 'Untitled Photographs' was published in a limited edition of two.
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    >> Anonymous 01/25/12(Wed)04:41 No.1500096
         File1327484476.jpg-(122 KB, 1000x667, 1.jpg)
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    Increased abstraction: Eventually the subjects of yall's 'wall' photographs became more simplified and devoid of environmental context. Although unnoticeable until subjected to the closest of scrutiny, this image was actually taken upside down.
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    >> Anonymous 01/25/12(Wed)04:42 No.1500098
         File1327484554.jpg-(193 KB, 1000x667, 2.jpg)
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    This is a roof that looks like a wall.
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    >> Anonymous 01/25/12(Wed)04:44 No.1500100
         File1327484662.jpg-(112 KB, 1000x667, 3.jpg)
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    This photograph exemplifies the peak of yall's abstraction. Although this image is of a wall, it is unknown where or a what at orientation it was made.
    I will now take a short break to recharge my academic batteries. I am about 1/3 of my way through the retrospective.
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    >> Anonymous 01/25/12(Wed)04:46 No.1500104
    wow,

    the formal qualities of the photographs really do pall in comparison to the sheer lack of thought inspiring content.
    >> Anonymous 01/25/12(Wed)05:22 No.1500130
         File1327486962.jpg-(35 KB, 600x405, TerranceandPhillipMovieTrailer(...).jpg)
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    >>1500091
    Oh my god, it's Russel Crowe!
    >> Anonymous 01/25/12(Wed)05:28 No.1500138
         File1327487283.jpg-(180 KB, 1013x340, 1.jpg)
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    The following two diptychs, created on a whim out of sheer boredom, stand as a foretelling of yall's contemporary work. The similar subject choice and wide angle viewpoint permeate his current aesthetic, although these were created a year ago.
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    >> Anonymous 01/25/12(Wed)05:28 No.1500139
    >>1500091
    hahahah
    ahahahahahahahaah
    oh look, it's an internet tough guy,getting pissed at...er..wtf are you getting pissed at? Do you have some kind of mental heath issue we should know about?
    You realize it is off the scale irrational to be so mad at the *nothing* that has been said to offend you here...right?
    >> Anonymous 01/25/12(Wed)05:29 No.1500141
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    The seemingly unrelated pairing in this diptych presents a juxtaposition between the living and dead, the earth and the heavens and the within and the without. While open to a range of interpretations, I believe this works speaks of yall's religious upbringing.
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    >> Anonymous 01/25/12(Wed)05:32 No.1500144
         File1327487522.jpg-(127 KB, 667x1000, 1.jpg)
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    The following three images are from the 'yall's a fucking sellout' period. Fuck.
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    >> Anonymous 01/25/12(Wed)05:32 No.1500146
    >>1500139
    you just got fucking TROLLED fagget!
    >> Anonymous 01/25/12(Wed)05:36 No.1500148
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    SELLOUT
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    >> Anonymous 01/25/12(Wed)05:37 No.1500150
         File1327487859.jpg-(162 KB, 667x1000, 3.jpg)
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    SELLOUT
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    >> Anonymous 01/25/12(Wed)05:38 No.1500152
         File1327487928.jpg-(105 KB, 1000x667, 1.jpg)
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    This example displays a post-sellout time of experimentation where yall attempted to incorporate the human figure into his work. He was met with limited success and only created two notable works.
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    >> Anonymous 01/25/12(Wed)05:42 No.1500153
    >>1500152
    this glorious past tense implies Yall is out of business or at least dead and I'm fucking happy as a cunt about that.
    >> Anonymous 01/25/12(Wed)05:42 No.1500154
         File1327488152.jpg-(395 KB, 1000x667, 2.jpg)
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    Although the context is unknown, this is one of the most emotionally (and obviously) poignant images. Some academics say that this is actually a self portrait, with yall starring as the crying man.
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    >> Anonymous 01/25/12(Wed)05:45 No.1500157
    >>1500154
    HA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
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    .HAH H HaahaHAHA HA HA A
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHA
    >> Anonymous 01/25/12(Wed)05:49 No.1500163
         File1327488548.jpg-(193 KB, 1000x800, 1.jpg)
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    The weird period: very little is known about the inspiration for the following six images (which will be posted without explanations), but it is assumed that yall created them during a period of experimenting with mind altering drugs. I personally find this series to be his most intriguing to date.
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    >> Anonymous 01/25/12(Wed)05:50 No.1500165
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    >> Anonymous 01/25/12(Wed)05:53 No.1500172
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    >> Anonymous 01/25/12(Wed)05:54 No.1500174
         File1327488886.jpg-(310 KB, 1000x800, _MG_03621.jpg)
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    >> Anonymous 01/25/12(Wed)05:58 No.1500183
         File1327489109.jpg-(336 KB, 1000x800, _MG_1171.jpg)
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    >> Anonymous 01/25/12(Wed)06:05 No.1500193
         File1327489558.jpg-(352 KB, 1000x800, _MG_1161.jpg)
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    yall's most extravagant and strange work from the weird period.
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    >> Anonymous 01/25/12(Wed)06:10 No.1500203
         File1327489810.jpg-(346 KB, 1000x800, 1.jpg)
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    These photographs emerge from the weird period seeming a little austere and dull, but they represent a return to yall's roots. Photographed with a Mamiya RB67, they display a time of change for yall, especially concerning his medium of choice.
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    >> Anonymous 01/25/12(Wed)06:12 No.1500207
    >>1500193
    I always thought he made that picture as a troll image
    >> Anonymous 01/25/12(Wed)06:13 No.1500210
    >>1500207
    HA HA HA A
    ...
    .
    .HAH H HaahaHA
    >> Anonymous 01/25/12(Wed)06:14 No.1500212
         File1327490096.jpg-(411 KB, 1000x800, 2.jpg)
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    The width of the trees in this photograph present an often overlooked subtext very prevalent in yalls work. He often photographs tall trees juxtaposed with wide ones as a passing reference to body image issues women in contemporary society face.
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    >> Anonymous 01/25/12(Wed)06:17 No.1500216
         File1327490250.jpg-(331 KB, 1000x800, 3.jpg)
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    Another recurring theme in yall's work is Australian pride and the objectification and commercialisation of Australian nationalality.
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    >> Anonymous 01/25/12(Wed)06:18 No.1500217
    >>1500216
    That satellite implies pay tv which implies the Americanisation of Australia which implies that this photo is deep and meta as fuck.
    >> Anonymous 01/25/12(Wed)06:20 No.1500220
    >>1500216
    >nationalality

    HA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
    ...
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    .HAH H HaahaHAHA HA HA A
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    .HAH H HaahaHAHA HA HA A
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    .HAH H HaahaHAHA HA HA A
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    .HAH H HaahaHA
    >> Anonymous 01/25/12(Wed)06:23 No.1500226
    >>1500163

    You forgot the ones where he shopped the lawn into the windows.. it was very subtle, but genius!
    >> Anonymous 01/25/12(Wed)06:29 No.1500240
    Put an exhibition like this together, including a catalogue with these blurbs, in a big-city gallery anywhere in the world, and it would get good media, and buyers.

    Just sayin.
    >> Anonymous 01/25/12(Wed)06:30 No.1500242
    >>1500217
    That is true.
    >>1500226
    That happened before the weird period, but I forgot about it.

    The fuck it all era: These photographs, made on cheap cameras, exemplify the ugliness so prevalent in Tasmanian society.
    >> Anonymous 01/25/12(Wed)06:32 No.1500245
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    >>1500242
    Oops, forgot the image.
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    >> Anonymous 01/25/12(Wed)06:40 No.1500257
         File1327491627.jpg-(591 KB, 1000x667, 2.jpg)
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    The ability to disregard the squalor of your living conditions is considered a display of masculinity.
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    >> Anonymous 01/25/12(Wed)06:42 No.1500260
         File1327491765.jpg-(594 KB, 1000x667, 3.jpg)
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    yall subverts this and fucks shit up the way only he knows how.
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    >> Anonymous 01/25/12(Wed)06:48 No.1500269
         File1327492131.jpg-(623 KB, 1000x667, 1.jpg)
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    What's that on the ground? The following three images explore suburban decay at its point of origin. This example shows many similarities to >>1500090 but it is obvious how much the greenery has blossomed, symbolising yall's increased success.
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    >> Anonymous 01/25/12(Wed)06:52 No.1500277
         File1327492337.jpg-(473 KB, 1000x667, 2.jpg)
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    The dirt stains a pristine pavement, only days after the finalisation of its construction. Instead of man impacting the natural environment, as displayed in >>1500057 , the natural environment is impacting the man made. It poses the question 'how much can you consume, before you are consumed yourself?
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    >> Anonymous 01/25/12(Wed)06:54 No.1500281
         File1327492490.jpg-(271 KB, 1000x667, 3.jpg)
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    This image brings together the dangers of human vices and the very literal implication that these vices will send you straight (or gay) to hell. I believe this is another reference to yall's religious upbringing
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    >> Anonymous 01/25/12(Wed)06:57 No.1500285
         File1327492640.jpg-(168 KB, 1000x667, 2.jpg)
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    yall's current work presents a return to his walls. They're much better than before.

    This concludes my exploration of yall's work, but please feel free to comment on my interpretations or just post your favourite works. Thank you kindly for your time.
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    >> Anonymous 01/25/12(Wed)06:59 No.1500290
    >>1500277
    It also shows bad planning.
    >> Anonymous 01/25/12(Wed)07:00 No.1500292
    does yall have flickr?
    >> Anonymous 01/25/12(Wed)07:05 No.1500299
    We should feel happy that we have such an inspiring talent amongst us.
    >> Anonymous 01/25/12(Wed)07:10 No.1500302
    >>1500054
    >>1500057
    >>1500059
    >>1500095
    >>1500148
    >>1500150
    >>1500203
    I like these. Fuck everything else.
    >> Anonymous 01/25/12(Wed)07:13 No.1500304
    >>1500302
    Thanks for telling us, anon.
    >> Anonymous 01/25/12(Wed)07:32 No.1500313
    There is also that set with pictures of people from chatroulette taken with a medium format camera, where the negatives was dirty and crushed. He explained them himself with something about digital and film limitations I think.
    >> Anonymous 01/25/12(Wed)07:51 No.1500326
    >>1500313

    I remember that! Anyone have the photos saved? I remember he scratched those up like hell.
    >> Anonymous 01/25/12(Wed)10:44 No.1500422
    >>1500212
    Okay now it's obvious this guy is just trolling
    >> kosawi 01/25/12(Wed)10:58 No.1500428
    >>1500193
    I dig that mig

    I don't like the b&w photos that much.

    >>1500285
    Neat

    I don't see any of the photos were the person was cropped out and the silhouette filled with a flower pattern... maybe it was another yall...
    >> Bassackwards !.EEeeEEEEE 01/25/12(Wed)11:19 No.1500438
    this was actually a pretty good commentary.
    if op was trolling, i think he went too far & made it quite enjoyable.
    as >>1500240 said, if these were displayed & cataloged with the captions, i think they would sell.
    >> Anonymous 01/25/12(Wed)11:27 No.1500441
    >>1500438
    That's ART for you.
    Display some dull shit with some pretentious commentary and you're set.
    >> Anonymous 01/25/12(Wed)11:27 No.1500443
    >>1500304
    No problem bro.

    I changed my mind on >>1500057. It casual as hell.
    >> alphon 01/25/12(Wed)11:30 No.1500446
    >>1500441
    >That's ART for you. Display some dull shit with some pretentious commentary and you're set.
    this is how cynical beta faggots see the world
    >> Anonymous 01/25/12(Wed)11:32 No.1500450
    >>1500446
    Don't worry alphon, your brilliant work speaks for itself :3
    >> Anonymous 01/25/12(Wed)11:32 No.1500451
    >>1500441
    >implying anything you've taken is better than these

    also, /r/ that picture of yall and his girlfriend (or whoever that chick is that's in his pics) and him carrying his rb67 on a tripod
    >> Anonymous 01/25/12(Wed)11:33 No.1500452
    >>1500438
    just like i always said, people would pay millions for this shit
    >> Anonymous 01/25/12(Wed)11:35 No.1500455
    yall is shit and hes the best troll that ever roamed /p/
    alphon still has much to learn
    >> junk !!281YB8Oy2bZ 01/25/12(Wed)14:13 No.1500567
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    I appreciate the narrative structure you've created, but your readings are vacuous and superficial. It's like you've watched a 30 minute biography of Van Gogh or flipped through an exhibition catalogue and are trying to reproduce that effect here. The end result is disingenuous.

    Instead of fitting the photos like platitudinous fragments into a preconceived narrative that you have devised in order to edify the artist, you should give them the honour of a heartfelt and sincere reading. It's better to be honest and reflexive then academic, or faux-academic. Using a narrative criteria is on the right track, but proceeding to implicate a series of haphazard formal attributes undoes that work. The type of discourse you have created here doesn't open these images up to direct appreciation, but commoditizes and reduces them.

    These images can be accessed formally or socio-politically or reflexively (or any other manner of ways), but you aren't really doing any of that here - your comments are too concise and controlling. It would be better to allow your viewers a direct encounter with these images without the glossing over of your narrative and your guiding statements.
    >> junk !!281YB8Oy2bZ 01/25/12(Wed)14:14 No.1500570
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    It's also ironic when you consider the inherent nature of the 'retrospective' exhibition. It implies a looking backwards, a recapping of the ground travelled, an reiteration of important themes or progressions. But it also implies a finality to the period surveyed, since it cannot occur without the art being discussed having been institutionalized and "digested" by the art-consuming apparatus. So while one of yalls biggest attributes (at least with respect to posting in /p/) is his genre-defying experimentation, you are divesting him of that avant-garde aura by co-opting his work into the institution through your retrospective. This sort of exhibition is what I would expect walking into a commercial gallery that caters to rich neo-bourgeois, as opposed to a gallery that focuses on creating a discourse between the community and artist. Also, it is of interesting historical note that these sort of 'immediate retrospectives' were used mostly to facilitate the selling of lots of works/prints by whichever artist was the Flavour of the Month.
    >> Anonymous 01/25/12(Wed)14:15 No.1500571
    >>1500451
    go here >>1500345
    >> Anonymous 01/25/12(Wed)14:24 No.1500587
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    >>1500226
    >You forgot the ones where he shopped the lawn into the windows
    >>1500313
    >people from chatroulette taken with a medium format camera
    >>1500428
    >photos were the person was cropped out and the silhouette filled with a flower pattern

    hi guys, yall here
    i'll post a few of those, because they're some of my faves

    >>1500446
    i don't know who you are but i totally agree
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    >> Anonymous 01/25/12(Wed)14:27 No.1500591
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    >>1500567
    >>1500570
    thank you
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    >> Anonymous 01/25/12(Wed)14:29 No.1500597
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    >> Anonymous 01/25/12(Wed)14:30 No.1500602
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    >> Anonymous 01/25/12(Wed)14:31 No.1500605
    >>1500602
    >>1500597
    my god...
    this series is awesome
    >> Anonymous 01/25/12(Wed)14:33 No.1500608
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    >> Anonymous 01/25/12(Wed)14:36 No.1500611
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    i think this is the last one for now
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    >> kosawi 01/25/12(Wed)14:39 No.1500615
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    >>1500608
    >>1500611
    >mfw

    Thanks bro.
    >> Anonymous 01/25/12(Wed)14:51 No.1500626
    Oh man what a fantastic thread
    >> Anonymous 01/25/12(Wed)17:38 No.1500719
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    This image established a deep personal connection to the artist for me.
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    >> Anonymous 01/25/12(Wed)17:49 No.1500722
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    >>1500608
    the hipster in me loves this
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    >> Anonymous 01/25/12(Wed)17:53 No.1500724
    Why is this thread so terrible?
    >> Anonymous 01/25/12(Wed)17:56 No.1500725
    >>1500724
    Because you're not clever enough to understand it.
    >> Anonymous 01/25/12(Wed)18:05 No.1500729
    >>1500722
    The term 'hipster' has been rendered meaningless. Now, it is used as a term to describe anything of visual or intellectual value outside archaic norms. A more appropriate word to choose would be 'artist' or 'intellectual'.
    >> Anonymous 01/25/12(Wed)18:08 No.1500731
    >>1500729
    half bullshit.
    a lot of the 'hipster' stuff is just something trying to look like it was made in the 60's, 70's, and early 80's

    >intellectual
    >artist
    my ass
    >> Anonymous 01/25/12(Wed)18:14 No.1500735
    >>1500731
    >a lot of the 'hipster' stuff is just something trying to look like it was made in the 60's, 70's, and early 80's

    However, this isn't, so it's completely relevant.
    >> Anonymous 01/25/12(Wed)18:22 No.1500738
    Fuck yeah. Bumping for more yall photos.
    >> Anonymous 01/25/12(Wed)18:22 No.1500739
    >>1500729
    I literally laughed out loud. Hipster= PSEUDO intellectual and PSEUDO artistic. Only people who lack those traits would use a shitty subculture to define themselves. Hippies, beatniks, hipsters: white suburbanites trying so desperately hard to be interesting.
    >> Anonymous 01/25/12(Wed)18:28 No.1500741
    >>1500739
    As stated before, the example image holds legitimate artistic and intellectual qualities, thus rendering 'hipster', as used in this context, a useless and incorrect adjective.
    >> Anonymous 01/25/12(Wed)18:29 No.1500742
    >>1500735
    except it is -- especially >>1500611 and >>1500608
    which is what the person you quoted (using the word hipster) was talking about

    lrn2wallpaper designs
    >> Anonymous 01/25/12(Wed)18:32 No.1500743
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    >>1500741
    nope.
    those two were hipster as shit.
    i would know -- i used to frequent ffffound.com
    i didn't save any examples though :(
    this is the closest thing i found
    >> Anonymous 01/25/12(Wed)18:34 No.1500744
    >>1500742
    Wallpaper is hipster now? I think it's a pretty obvious metaphor.
    >> Anonymous 01/25/12(Wed)18:34 No.1500745
    yall was the best troll who actually made some decent photos ever
    >> Anonymous 01/25/12(Wed)18:43 No.1500748
    yall knows more about composition than 99% of /p/
    if i had money i'd ask him for some nice prints
    >> Anonymous 01/25/12(Wed)18:56 No.1500755
    >>1500743
    Just because something appeals to hipsters doesn't make it inherently hipster. Many hipsters adore The Beatles, but it is very obvious that are not a hipster band. The same applies to photography, in fact, all visual arts.
    >> Anonymous 01/25/12(Wed)19:01 No.1500757
    >>1500755
    The problem with your example is that the Beatles were active during the 60's whereas Yall's wallpaper silhouette photographs are contemporary and have been influenced by the 'hipster' culture that looks back and adores all things vintage.
    If Yall had done this shit 20 years early, then your argument would be valid.
    >> Anonymous 01/25/12(Wed)19:08 No.1500759
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    >>1500744
    Yes.
    >> Anonymous 01/25/12(Wed)19:08 No.1500761
    >>1500757
    I think the problem is that you're terrible at understanding art. The wallpaper obviously wasn't used for its 'vintage and quirky vibe' but as a metaphor to describe the wallflower-like nature of the woman in >>1500611 and the uniformity of the tourists in >>1500608 . The wallpaper stands as a symbolic way of presenting the fact that the people illustrated blend into the background/each other.
    >> Anonymous 01/25/12(Wed)19:13 No.1500767
    >>1500761
    ..and I think you're giving Yall too much credit especially after looking at those ~6 experimental images i.e. >>1500193

    That was a fine interpretation, though. :3
    >> Anonymous 01/25/12(Wed)19:17 No.1500769
    >>1500767
    I am yall and I made that post.
    >> Anonymous 01/25/12(Wed)19:20 No.1500770
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    >>1500769
    >mfw
    >> Anonymous 01/25/12(Wed)19:27 No.1500772
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    >> Anonymous 01/25/12(Wed)19:28 No.1500773
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    >> Anonymous 01/25/12(Wed)19:28 No.1500776
    >>1500772
    dat masterfully coiffed hair
    >> Anonymous 01/25/12(Wed)19:29 No.1500777
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    >> Anonymous 01/25/12(Wed)19:30 No.1500778
    >>1500761
    Then why not use a pattern or image that could still communicate the "wallfower-ness" of the woman and the "uniformity" of the tourists without also having a reference to a certain type of 'hipster' art production? Like it or not, it has that reference embedded in it. If the artist wasn't aware of the reference it was making, then that's an example of bad art.
    >> Anonymous 01/25/12(Wed)19:31 No.1500782
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    this is masterful
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    >> Anonymous 01/25/12(Wed)19:33 No.1500783
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    >> Anonymous 01/25/12(Wed)19:36 No.1500785
    >>1500778
    Because intentionally avoiding anything (especially anything 'hipster') demonstrates a self-consciousness indicative of hipsterdom.
    >> Anonymous 01/25/12(Wed)19:37 No.1500786
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    and now, my favorite
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    >> Anonymous 01/25/12(Wed)19:42 No.1500793
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    >> kosawi 01/25/12(Wed)20:06 No.1500810
    The way I see it:
    Hipsters do it 'cause they are trying to be cool.
    Yall does it 'cause he is cool.

    In other words, Yall has a vision, hipster do random shit.

    Though, I never understood the ones like >>1500193 ... there was one with a police car, I'm not familiar with the life of that town...
    >> Anonymous 01/25/12(Wed)23:04 No.1500979
    >>1500748
    true
    >> Anonymous 01/27/12(Fri)13:35 No.1502530
    bump for the most interesting and culturally relevant thread on /p/ right now
    >> Anonymous 01/27/12(Fri)14:10 No.1502543
    I kinda like Yall's minimalistic work actually
    [spoiler] and his sister [/spoiler]
    >> Anonymous 01/27/12(Fri)16:25 No.1502647
    >>1500567
    >>1500570
    janku-san, why don't you do your own review of yall's work? I'm sure I wouldn't be the only one interested in reading it.
    >> Anonymous 01/27/12(Fri)17:58 No.1502722
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    >> Anonymous 01/27/12(Fri)17:59 No.1502724
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    >> Anonymous 01/28/12(Sat)06:03 No.1503295
    >>1502647
    Yes please Junk!
    >> Anonymous 01/28/12(Sat)12:23 No.1503485
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    >> chupiari 01/28/12(Sat)12:41 No.1503499
    >>1502647
    >>1503295
    Please, as a deference to a 4chan rule, let's keep this thread nice and appreciate the photos for what they are, no junk bullshit.



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