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12/26/10(Sun)09:18 No.43995484 File1293373138.jpg-(101 KB, 680x453, 3797745953_a4d56d43e5_o.jpg)
>>43995250 Here, a series of tweets from raito that translates speeches given by KyoAni employees at Kyoto CMEX 2010.
Apparently
Hideaki Hatta's speech at Kyoto CMEX was quite interesting. His theory
why KyoAni's shows sell isn't too far-fetched I guess.
KyoAni sure has some kind of enthusiasm for its work you hardly find in late night anime these days.
Hatta reportedly emphasized how they make sure to create a favorable environment for work at KyoAni.
You
may know that in contrast to the studios in Tokyo which work with many
freelancers, KyoAni's staff consists of permanent employees.
Hatta
said they had fixed working hours and they tried to avoid overnight
work as much as possible, of course overtime work got paid.
In other words, the animators' payment isn't tied to the output / number of frames/cuts created.
KyoAni's
number of employees increased from 129 in April 2010 to 160 now.
Current work: Nichijou #0 (postponed to March) & K-ON! movie
Besides KyoAni's company president Hatta, director Yamada (K-ON!) made also an appearance at Kyoto CMEX.
She reportedly said that they put much importance on depicting the characters in a way they feel alive and life-like.
One
of the reasons for her appointment as K-ON!s director was the fact that
her female high school student days had been not so long ago.
First
K-ON! OP should make an impression of being amateur-ish (as if the
girls made it on their own). ED is a wild idea of their pro debut.
Yamada
was apparently quite Yui-like in her appearance with a fashion sense
resembling the K-ON EDs (of which she designed the clothes).
Director
Yamada also stressed that there's a difference between anime- and
manga-like expression. She felt that former had decreased.
Her explanation reminds me of what Osamu Kobayashi once said, how a too manga-like approach in anime limits ways of expression. |