We would prefer to send you this information by email (Internet, Bitnet, Compuserve, ATTMAIL or MCImail).

ftp uiarchive.cso.uiuc.edu login: anonymous password: your@login cd etext/etext90 through /etext96 or cd etext/articles [get suggest gut for more information] dir [to see files] get or mget [to get files. . .set bin for zip files] GET INDEX?00.GUT for a list of books and GET NEW GUT for general information and MGET GUT* for newsletters.

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you can distribute copies of this etext if you want to.

ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERGtm etexts, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association at Carnegie-Mellon University (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project's "PROJECT GUTENBERG" trademark.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.

[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro cessing or hypertext software, but only so long as *EITHER*:

[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR

[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".

THE PATCHWORK GIRL OF OZ

Affectionately dedicated to my young friend Sumner Hamilton Britton of Chicago

Prologue

Through the kindness of Dorothy Gale of Kansas, afterward Princess Dorothy of Oz, an humble writer in the United States of America was once appointed Royal Historian of Oz, with the privilege of writing the chronicle of that wonderful fairyland. But after making six books about the adventures of those interesting but queer people who live in the Land of Oz, the Historian learned with sorrow that by an edict of the Supreme Ruler, Ozma of Oz, her country would thereafter be rendered invisible to all who lived outside its borders and that all communication with Oz would, in the future, be cut off.

That seemed a good idea; so the Historian rigged up a high tower in his back yard, and took lessons in wireless telegraphy until he understood it, and then began to call "Princess Dorothy of Oz" by sending messages into the air.

And that was the way Dorothy heard that the Historian wanted to speak with her, and there was a Shaggy Man in the Land of Oz who knew how to telegraph a wireless reply. The result was that the Historian begged so hard to be told the latest news of Oz, so that he could write it down for the children to read, that Dorothy asked permission of Ozma and Ozma graciously consented.

L. Frank Baum.

Chapter One

"Where's the butter, Unc Nunkie?" asked Ojo.

"Isn't," said he.

"Gone," he said.

"All," said Unc, again stroking his beard as he gazed from the window.

"Nothing grows in our yard but the bread tree," he mused, "and there are only two more loaves on that tree; and they're not ripe yet. Tell me, Unc; why are we so poor?"

"Why are we so poor, Unc?" repeated the

"I think we are," declared Ojo. "What have we got?"

"I know; but everyone in the Land of Oz has a place to live. What else, Unc?"

"I'm eating the last loaf that's ripe. There; I've put aside your share, Unc. It's on the table, so you can eat it when you get hungry. But when that is gone, what shall we eat, Unc?"

"Of course," said Ojo, who was obliged to talk because his uncle would not, "no one starves in the Land of Oz, either. There is plenty for everyone, you know; only, if it isn't just where you happen to be, you must go where it is."

"By tomorrow morning," the boy went on, we must go where there is something to eat, or we shall grow very hungry and become very unhappy."

"Where shall we go? I don't know, I'm sure," replied Ojo. "But you must know, Unc. You must have traveled, in your time, because you're so old. I don't remember it, because ever since I could remember anything we've lived right here in this lonesome, round house, with a little garden back of it and the thick woods all around. All I've ever seen of the great Land of Oz, Unc dear, is the view of that mountain over at the south, where they say the Hammerheads live--who won't let anybody go by them--and that mountain at the north, where they say nobody lives."

"Oh, yes; one family lives there, I've heard. That's the Crooked Magician, who is named Dr. Pipt, and his wife Margolotte. One year you told me about them; I think it took you a whole year, Unc, to say as much as I've just said about the Crooked Magician and his wife. They live high up on the mountain, and the good Munchkin Country, where the fruits and flowers grow, is just the other side. It's funny you and I should live here all alone, in the middle of the forest, Isn't it?"

"Then let's go away and visit the Munchkin Country and its jolly, good-natured people. I'd love to get a sight of something besides woods, Unc Nunkie."

"Why, I'm not so little as I used to be," answered the boy earnestly. "I think I can walk as far and as fast through the woods as you can, Unc. And now that nothing grows in our back yard that is good to eat, we must go where there is food."

By and by Ojo lighted the fire and the logs blazed freely in the broad fireplace. The two sat in the firelight a long time--the old, whitebearded Munchkin and the little boy. Both were thinking. When it grew quite dark out-side, Ojo said:

But Unc Nunkie did not eat the bread; neither did he go directly to bed. Long after his little nephew was sound asleep in the corner of the room the old man sat by the fire, thinking.

Chapter Two

Just at dawn next morning Unc Nunkie laid his hand tenderly on Ojo's head and awakened him.

Ojo dressed. He wore blue silk stockings, blue knee pants with gold buckles, a blue ruffled waist and a jacket of bright blue braided with gold. His shoes were of blue leather and turned up at the toes, which were pointed. His hat had a peaked crown and a flat brim, and around the brim was a row of tiny golden bells that tinkled when he moved. This was the native costume of those who inhabited the Munchkin Country of the Land of Oz, so Unc Nunkie's dress was much like that of his nephew. Instead of shoes, the old man wore boots with turnover tops and his blue coat had wide cuffs of gold braid.

Ojo was well pleased. He was dreadfully tired of living all alone in the woods and wanted to travel and see people. For a long time he had wished to explore the beautiful Land of Oz in which they lived. When they were outside, Unc simply latched the door and started up the path. No one would disturb their little house, even if anyone came so far into the thick forest while they were gone.

All the morning they trudged up the mountain path and at noon Unc and Ojo sat on a fallen tree-trunk and ate the last of the bread which the old Munchkin had placed in his pocket. Then they started on again and two hours later came in sight of the house of Dr. Pipt.

Unc knocked at the door of the house and a chubby, pleasant-faced woman, dressed all in blue, opened it and greeted the visitors with a smile.

"I am, my dear, and all strangers are welcome to my home."

"He is very busy just now," she said, shaking her head doubtfully. "But come in and let me give you something to eat, for you must have traveled far in order to get our lonely place."

"A lonelier place! And in the Munchkin Country?" she exclaimed. "Then it must be somewhere in the Blue Forest."

"Dear me!" she said, looking at the man, "you must be Unc Nunkie, known as the Silent One." Then she looked at the boy. "And you must be Ojo the Unlucky," she added.

"I never knew I was called the Unlucky," said Ojo, soberly; "but it is really a good name for me."

"How can I lose that 'Un,' Dame Margolotte?"

Ojo had never eaten such a fine meal in all his life. There was a savory stew, smoking hot, a dish of blue peas, a bowl of sweet milk of a delicate blue tint and a blue pudding with blue plums in it. When the visitors had eaten heartily of this fare the woman said to them:

Unc shook his head.

The woman seemed thoughtful.

"Thank you," replied the boy, much pleased. "I would like to do that."

Unc Nunkie came forward to greet his old friend, but not being able to shake either his hands or his feet, which were all occupied in stirring, he patted the Magician's bald head and asked: "What?"

"You must know," said Margolottte, when they were all seated together on the broad window-seat, "that my husband foolishly gave away all the Powder of Life he first made to old Mombi the Witch, who used to live in the Country of the Gillikins, to the north of here. Mombi gave to Dr. Pipt a Powder of Perpetual Youth in exchange for his Powder of Life, but she cheated him wickedly, for the Powder of Youth was no good and could work no magic at all."

"Yes; it is perfection," she declared. "The first lot we tested on our Glass Cat, which not only began to live but has lived ever since. She's somewhere around the house now."

"Yes; she makes a very pleasant companion, but admires herself a little more than is considered modest, and she positively refuses to catch mice," explained Margolotte. "My husband made the cat some pink brains, but they proved to be too highbred and particular for a cat, so she thinks it is undignified in her to catch mice. Also she has a pretty blood-red heart, but it is made of stone--a ruby, I think--and so is rather hard and unfeeling. I think the next Class Cat the Magician makes will have neither brains nor heart, for then it will not object to catching mice and may prove of some use to us."

"She brought Jack Pumpkinhead to life, for one thing," was the reply. "I suppose you've heard of jack Pumpkinhead. He is now living near the Emerald City and is a great favorite with the Princess Ozma, who rules all the Land of Oz."

"That is one reason you are Ojo the Unlucky," said the woman, in a sympathetic tone. "The more one knows, the luckier he is, for knowledge is the greatest gift in life."

"So I do," she answered. "I want it to bring my Patchwork Girl to life."

"I think I must show you my Patchwork Girl," said Margolotte, laughing at the boy's astonishment, "for she is rather difficult to explain. But first I will tell you that for many years I have longed for a servant to help me with the housework and to cook the meals and wash the dishes. No servant will come here because the place is so lonely and out-of-the-way, so my clever husband, the Crooked Magician, proposed that I make a girl out of some sort of material and he would make her live by sprinkling over her the Powder of Life. This seemed an excellent suggestion and at once Dr. Pipt set to work to make a new batch of his magic powder. He has been at it a long, long while, and so I have had plenty of time to make the girl. Yet that task was not so easy as you may suppose. At first I couldn't think what to make her of, but finally in searching through a chest I came across an old patchwork quilt, which my grandmother once made when she was young.

"A bed-quilt made of patches of different kinds and colors of cloth, all neatly sewed together. The patches are of all shapes and sizes, so a patchwork quilt is a very pretty and gorgeous thing to look at. Sometimes it is called a 'crazyquilt,' because the patches and colors are so mixed up. We never have used my grand-mother's manycolored patchwork quilt, hand-some as it is, for we Munchkins do not care for any color other than blue, so it has been packed away in the chest for about a hundred years. When I found it, I said to myself that it would do nicely for my servant girl, for when she was brought to life she would not be proud nor haughty, as the Glass Cat is, for such a dreadful mixture of colors would discourage her from trying to, be as dignified as the blue Munchkins are.

"Yes, for a Munchkin. All our country is blue, you know. But in other parts of Oz the people favor different colors. At the Emerald City, where our Princess Ozma lives, green is the popular color. But all Munchkins prefer blue to anything else and when my housework girl is brought to life she will find herself to be of so many unpopular colors that she'll never dare be rebellious or impudent, as servants are sometimes liable to be when they are made the same way their mistresses are."

"Good idea," he said; and that was a long speech for Unc Nunkie because it was two words.

Then back she came, lugging in her arms the Patchwork Girl, which she set upon the bench and propped up so that the figure would not tumble over.

Chapter Three

Ojo examined this curious contrivance with wonder. The Patchwork Girl was taller than he, when she stood upright, and her body was plump and rounded because it had been so neatly stuffed with cotton. Margolotte had first made the girl's form from the patchwork quilt and then she had dressed it with a patchwork skirt and an apron with pockets in it-using the same gay material throughout. Upon the feet she had sewn a pair of red leather shoes with pointed toes. All the fingers and thumbs of the girl's hands had been carefully formed and stuffed and stitched at the edges, with gold plates at the ends to serve as finger-nails.

The head of the Patchwork Girl was the most curious part of her. While she waited for her husband to finish making his Powder of Life the woman had found ample time to complete the head as her fancy dictated, and she realized that a good servant's head must be properly constructed. The hair was of brown yarn and hung down on her neck in several neat braids. Her eyes were two silver suspender-buttons cut from a pair of the Magician's old trousers, and they were sewed on with black threads, which formed the pupils of the eyes. Margolotte had puzzled over the ears for some time, for these were important if the servant was to hear distinctly, but finally she had made them out of thin plates of gold and attached them in place by means of stitches through tiny holes bored in the metal. Gold is the most common metal in the Land of Oz and is used for many purposes because it is soft and pliable.

"You ought to have had her face all pink," suggested the boy.

"Has she any brains?" asked Ojo.

"Wrong," said Unc Nunkie.

"He means," explained Ojo, "that unless your servant has good brains she won't know how to obey you properly, nor do the things you ask her to do."

With this she went to another cupboard which was filled With shelves. All the shelves were lined With blue glass bottles, neatly labeled by the Magician to show what they contained. One whole shelf was marked: "Brain Furniture," and the bottles on this shelf were labeled as follows: "Obedience," "Cleverness," "Judgment," "Courage," "Ingenuity," "Amiability," "Learning," "Truth," "Poesy," "Self Reliance."

Unc Nunkie, who with Ojo stood beside her, touched the bottle marked "Cleverness."

"A little 'Cleverness'? Well, perhaps you are right, sir," said she, and was about to take down the bottle when the Crooked Magician suddenly called to her excitedly from the fireplace.

She ran to her husband's side at once and helped him lift the four kettles from the fire. Their contents had all boiled away, leaving in the bottom of each kettle a few grains of fine white powder. Very carefully the Magician removed this powder, placing it all together in a golden dish, where he mixed it with a golden spoon. When the mixture was complete there was scarcely a handful, all told.

Unc Nunkie, Margolotte and the Magician all stood looking at the marvelous Powder, but Ojo was more interested just then in the Patchwork Girl's brains. Thinking it both unfair and unkind to deprive her of any good qualities that were handy, the boy took down every bottle on the shelf and poured some of the contents in Margolotte's dish. No one saw him do this, for all were looking at the Powder of Life; but soon the woman remembered what she had been doing, and came back to the cupboard.

Margolotte now carried the dish of brains to the bench. Ripping the seam of the patch on the girl's forehead, she placed the powder within the head and then sewed up the seam as neatly and securely as before.

"This powder must not be used before tomorrow morning; but I think it is now cool enough to be bottled."

"At last," said he, rubbing his hands together gleefully, "I have ample leisure for a good talk with my old friend Unc Nunkie. So let us sit down cosily and enjoy ourselves. After stirring those four kettles for six years I am glad to have a little rest."

"I know; but that renders your uncle a most agreeable companion and gossip," declared Dr. Pipt. "Most people talk too much, so it is a relief to find one who talks too little."

"Don't you find it very annoying to be so crooked?" he asked.

He was really very crooked and Ojo wondered how he managed to do so many things with such a twisted body. When he sat down upon a crooked chair that had been made to fit him, one knee was under his chin and the other near the small of his back; but he was a cheerful man and his face bore a pleasant and agreeable expression.

"Magic must be a very interesting study," said Ojo.

"What does the Liquid of Petrifaction do?" inquired the boy.

"Fine!" said Unc Nunkie, wagging his head and stroking his long gray beard.

"Let me in! Hurry up, can't you? Let me in!"

"Ask like a good cat, then," she said.

"Yes; that's proper cat talk," declared the woman, and opened the door. At once a cat entered, came to the center of the room and stopped short at the sight of strangers. Ojo and Unc Nunkie both stared at it with wide open eyes, for surely no such curious creature had ever existed before-even in the Land of Oz.

Chapter Four

The cat was made of glass, so clear and transparent that you could see through it as easily as through a window. In the top of its head, however, Was a mass of delicate pink balls which looked like jewels, and it had a heart made of a blood-red ruby. The eyes were two large emeralds, but aside from these colors all the rest of the animal was clear glass, and it had a spunglass tail that was really beautiful.

"Excuse me," returned the Magician. "This is Unc Nunkie, the descendant of the former kings of the Munchkins, before this country be came a part of the Land of Oz."

"True," replied Unc, with a low chuckle of amusement.

"Who is the dwarf?" asked the cat.

"Oh. Is that magic?" the glass animal inquired.

"No one can regret more than I the fact that you made me," asserted the cat, crouching upon the floor and slowly swaying its spun-glass tail from side to side. "Your world is a very uninteresting place. I've wandered through your gardens and in the forest until I'm tired of it all, and when I come into the house the conversation of your fat wife and of yourself bores me dreadfully."

"Can't you take 'em out, then, and replace em with pebbles, so that I won't feel above my station in life?" asked the cat, pleadingly.

The cat walked up to the bench on which the Patchwork Girl reclined and looked at her attentively.

The Magician nodded.

"I won't. I couldn't respect such a bundle of scraps under any circumstances."

"Why didn't you make her pretty to look at?" asked the cat. "You made me pretty--very pretty, indeed--and I love to watch my pink brains roll around when they're working, and to see my precious red heart beat." She went to a long mirror, as she said this, and stood before it, looking at herself with an air of much pride. "But that poor patched thing will hate herself, when she's once alive," continued the cat. "If I were you I'd use her for a mop, and make another servant that is prettier."

The Glass Cat yawned and stretched herself upon the floor.

Ojo and Unc Nunkie slept that night in the Magician's house, and the boy was glad to stay because he was anxious to see the Patchwork Girl brought to life. The Glass Cat was also a wonderful creature to little Ojo, who had never seen or known anything of magic before, although he had lived in the Fairyland of Oz ever since he was born. Back there in the woods nothing unusual ever happened. Unc Nunkie, who might have been King of the Munchkins, had not his people united with all the other countries of Oz in acknowledging Ozma as their Sole ruler, had retired into this forgotten forest nook with his baby nephew and they had lived all alone there. Only that the neglected garden had failed to grow food for them, they would always have lived in the solitary Blue Forest; but now they had started out to mingle with other people, and the first place they came to proved so interesting that Ojo could scarcely sleep a wink all night.

"This is the last meal I shall have to cook for some time, for right after breakfast Dr. Pipt has promised to bring my new servant to life. I shall let her wash the breakfast dishes and sweep and dust the house. What a relief it will be!"

"Only those that an humble servant requires," she answered. "I do not wish her to feel above her station, as the Glass Cat does. That would make her discontented and unhappy, for of course she must always be a servant."

As soon as breakfast was over they all went into the Magician's big workshop, where the Glass Cat was lying before the mirror and the Patchwork Girl lay limp and lifeless upon the bench.

As he spoke he went to a phonograph, which screwed fast to a small table, and wound up the spring of the instrument and adjusted the big gold horn.

The phonograph was now playing a stirring march tune and the Magician unlocked his cabinet and took out the gold bottle containing the Powder of Life.

"All ready?" asked Dr. Pipt.

So the Magician leaned over and shook from the bottle some grains of the wonderful Powder, and they fell directly on the Patchwork Girl's head and arms.

Chapter Five

But suddenly the Patchwork Girl threw up one arm, which knocked the bottle of powder from the crooked man's hand and sent it flying across the room. Unc Nunkie and Margolotte were so startled that they both leaped backward and bumped together, and Unc's head joggled the shelf above them and upset the bottle containing the Liquid of Petrifaction.

Ojo pushed the Patchwork Girl away and ran to Unc Nunkie, filled with a terrible fear for the only friend and protector he had ever known. When he grasped Unc's hand it was cold and hard. Even the long gray beard was solid marble. The Crooked Magician was dancing around the room in a frenzy of despair, calling upon his wife to forgive him, to speak to him, to come to life again!

"Whee, but there's a gaudy dame! Makes a paint-box blush with shame. Razzle-dazzle, fizzle-fazzle! Howdy-do, Miss What's-your-name?"

She bowed, and the reflection bowed. Then she laughed again, long and merrily, and the Glass Cat crept out from under the table and said:

"Horrid?" she replied. "Why, I'm thoroughly delightful. I'm an Original, if you please, and therefore incomparable. Of all the comic, absurd, rare and amusing creatures the world contains, I must be the supreme freak. Who but poor Margolotte could have managed to invent such an unreasonable being as I? But I'm glad--I'm awfully glad!--that I'm just what I am, and nothing else."

"Think ahead," said the Patchwork Girl, seating herself in a chair. "Think all you want to. I don't mind."

The Magician looked gloomily at the musicmachine.

He went up to it and found that the gold bottle that contained the precious powder had dropped upon the stand and scattered its life-giving grains over the machine. The phonograph was very much alive, and began dancing a jig with the legs of the table to which it was attached, and this dance so annoyed Dr. Pipt that he kicked the thing into a corner and pushed a bench against it, to hold it quiet.

"No insults, please," answered the phonograph in a surly, tone. "You did it, my boy; don't blame me. "

"Except me," said the Patchwork Girl, jumping up to whirl merrily around the room.

"That's nonsense, kiddie," retorted the Patchwork Girl cheerfully. "No one can be unlucky who has the intelligence to direct his own actions. The unlucky ones are those who beg for a chance to think, like poor Dr. Pipt here. What's the row about, anyway, Mr. Magic-maker?"

"Well, why don't you sprinkle some of that powder on them and bring them to life again?" asked the Patchwork Girl.

"Why, I hadn't thought of that!" he joyfully cried, and grabbed up the golden bottle, with which he ran to Margolotte.

"Higgledy, piggledy, deeWhat fools magicians be! His head's so thick He can't think quick, So he takes advice from me."

Standing upon the bench, for he was so crooked he could not reach the top of his wife's head in any other way, Dr. Pipt began shaking the bottle. But not a grain of powder came out. He pulled off the cover, glanced within, and then threw the bottle from him with a wail of despair.

Then the Magician bowed his head on his crooked arms and began to cry.

"You can make more Powder of Life, Dr. Pipt."

"Can't anything else be done?" asked the Patchwork Girl.

"There is one other compound that would destroy the magic spell of the Liquid of Petrifaction and restore my wife and Unc Nunkie to life," said he. "It may be hard to find the things I need to make this magic compound, but if they were found I could do in an instant what will otherwise take six long, weary years of stirring kettles with both hands and both feet."

"That's the idea, Scraps," said the Glass Cat, approvingly. "I'm glad to find you have decent brains. Mine are exceptionally good. You can see em work; they're pink."

"I--I believe my poor wife had intended to name you 'Angeline,'" said the Magician.

"I have a foolish name that Margolotte once gave me, but which is quite undignified for one of my importance," answered the cat. "She called me 'Bungle.'"

"I'm not so brittle as you think," retorted the cat. "I've been alive a good many years, for Dr. Pipt experimented on me with the first magic Powder of Life he ever made, and so far I've never broken or cracked or chipped any part of me."

"Tell me," pleaded Ojo, speaking to the Crooked Magician, "what must we find to make the compound that will save Unc Nunkie?"

"I'll find it for you," promised Ojo.

"I'll find it," declared Ojo. "Is that all?"

Saying this, the Magician unlocked a drawer of his cabinet and drew out a small book covered with blue leather. Looking through the pages he found the recipe he wanted and said: "I must have a gill of water from a dark well."

"One where the light of day never penetrates. The water must be put in a gold bottle and brought to me without any light ever reaching it.

"Then I must have three hairs from the tip of a Woozy's tail, and a drop of oil from a live man's body."

"What is a Woozy, please?" he inquired.

"If I can find a Woozy, I'll get the hairs from its tail," said Ojo. "But is there ever any oil in a man's body?"

"That's what the recipe calls for," he replied, "and of course we must get everything that is called for, or the charm won't work. The book doesn't say 'blood'; it says 'oil,' and there must be oil somewhere in a live man's body or the book wouldn't ask for it."

The Magician looked at the little Munchkin boy in a doubtful way and said:

"I know it, sir; but I must do my best to save Unc Nunkie."

"I will start on my journey at once, sir," said the boy.

"No, no!" exclaimed the Magician. "You have no right to leave this house. You are only a servant and have not been discharged."

"What is a servant?" she asked.

"Very well," said the Patchwork Girl, "I'm going to serve you and your wife by helping Ojo find the things you need. You need a lot, you know, such as are not easily found."

Scraps laughed, and resuming her dance she said:

The Magician looked at her thoughtfully.

"I'm going with Scraps and Ojo," announced the Glass Cat.

"Why not?"

"I beg to differ with you," returned the cat, in a haughty tone. "Three heads are better than two, and my pink brains are beautiful. You can see em work."

"Thank you for nothing, then," answered the cat, stiffly.

"Here is some food and a bundle of charms," he said. "It is all I can give you, but I am sure you will find friends on your journey who will assist you in your search. Take care of the Patchwork Girl and bring her safely back, for she ought to prove useful to my wife. As for the Glass Cat-properly named Bungle--if she bothers you I now give you my permission to break her in two, for she is not respectful and does not obey me. I made a mistake in giving her the pink brains, you see.

"I'm going to try to save you, Unc," he said, just as if the marble image could hear him; and then he shook the crooked hand of the Crooked Magician, who was already busy hanging the four kettles in the fireplace, and picking up his basket left the house.

Chapter Six

The Journey

Suddenly the Patchwork Girl laughed. It was funny to see her laugh, because her cheeks wrinkled up, her nose tipped, her silver button eyes twinkled and her mouth curled at the corners in a comical way.

"Yes," she answered. "Your world pleases me, for it's a queer world, and life in it is queerer still. Here am I, made from an old bedquilt and intended to be a slave to Margolotte, rendered free as air by an accident that none of you could foresee. I am enjoying life and seeing the world, while the woman who made me is standing helpless as a block of wood. If that isn't funny enough to laugh at, I don't know what is."

"But they're part of it; and aren't they pretty trees?" returned Scraps, bobbing her head until her brown yarn curls fluttered in the breeze. "Growing between them I can see lovely ferns and wild-flowers, and soft green mosses. If the rest of your world is half as beautiful I shall be glad I'm alive."

"I have never been out of the forest," Ojo added; "but to me the trees are gloomy and sad and the wild-flowers seem lonesome. It must be nicer where there are no trees and there is room for lots of people to live together."

"I think I made a mistake in giving you so many sorts of brains," observed the boy. "Perhaps, as the Magician said, you have an over-dose, and they may not agree with you."

"A lot," replied Ojo. "Old Margolotte meant to give you only a few--just enough to keep you going--but when she wasn't looking I added a good many more, of the best kinds I could find in the Magician's cupboard."

"But they ought to be evenly balanced," said the boy, "and I had no time to be careful. From the way you're acting, I guess the dose was badly mixed."

After walking a long time they came to a little brook that trickled across the path, and here Ojo sat down to rest and eat something from his basket. He found that the Magician had given him part of a loaf of bread and a slice of cheese. He broke off some of the bread and was surprised to find the loaf just as large as it was before. It was the same way with the cheese: however much he broke off from the slice, it remained exactly the same size.

"Why do you put those things into your mouth?" asked Scraps, gazing at him in astonishment. "Do you need more stuffing? Then why don't you use cotton, such as I am stuffed with?"

"But a mouth is to talk with, isn't it?"

"Ah, I didn't know that," she said. "Give me some."

"What next?" she asked, scarcely able to speak.

Scraps tried that. Her pearl teeth were unable to chew the bread and beyond her mouth there was no opening. Being unable to swallow she threw away the bread and laughed.

"Neither can I," announced the cat; "but I'm not fool enough to try. Can't you understand that you and I are superior people and not made like these poor humans?"

With this she began amusing herself by leaping across the brook and hack again.

"Never mind."

"Don't my colors run whenever I run?" she asked.

"Then," said the Patchwork Girl, "I'll be careful, for if I spoiled my splendid colors I would cease to be beautiful."

"Shoo-shoo-shoo!" cried Scraps, dancing around and laughing. "And your horrid green eyes, Miss Bungle! You can't see your eyes, but we can, and I notice you're very proud of what little color you have. Shoo, Miss Bungle, shoo-shoo-shoo! If you were all colors and many colors, as I am, you'd be too stuck up for anything." She leaped over the cat and back again, and the startled Bungle crept close to a tree to escape her. This made Scraps laugh more heartily than ever, and she said:

"It may be," he answered, with a puzzled look.

"Don't quarrel, please," pleaded the boy, rising to resume the journey. "Let us be good comrades and as happy and cheerful as possible, for we are likely to meet with plenty of trouble on our way."

This man was a woodchopper and lived all alone in the little house. He had bushy blue whiskers and merry blue eyes and his blue clothes were quite old and worn.

"Do you mean me?" asked the Patchwork Girl.

"You misjudge my ancestry. I'm not a crazyquilt; I'm patchwork," she said.

"It was the Magic Powder that did it," explained Ojo.

"We're going there, anyhow," declared Scraps, sitting upon the bench and swinging her stuffed legs.

"I see," said the woodchopper, nodding; "you're as crazy as the crazy-quilt you're made of."

"So I can," replied the woodchopper; "but I can't see that they accomplish much. A glass cat is a useless sort of thing, but a Patchwork Girl is really useful. She makes me laugh, and laughter is the best thing in life. There was once a woodchopper, a friend of mine, who was made all of tin, and I used to laugh every time I saw him."

"My friend wasn't always tin," said the man, "but he was careless with his axe, and used to chop himself very badly. Whenever he lost an arm or a leg he had it replaced with tin; so after a while he was all tin."

"He could if he didn't rust his tin joints. But one day he met Dorothy in the forest and went with her to the Emerald City, where he made his fortune. He is now one of the favorites of Princess Ozma, and she has made him the Emperor of the Winkies--the Country where all is yellow."

"A little maid who used to live in Kansas, but is now a Princess of Oz. She's Ozma's best friend, they say, and lives with her in the royal palace."

"Is she patchwork, like me?" inquired Scraps.

"I suppose we shall see the Tin Woodman, for we are going to the Country of the Winkies," said the boy.

"To get the left wing of a yellow butterfly."

"Suits me all right," said Scraps. "I'll get a chance to see the country."

The woodchopper then invited them all to stay the night at his little hut, but they were anxious to get on and so left him and continued along the path, which was broader, now, and more distinct.

"I can scarcely see the path," he said at last. "Can you see it, Scraps?"

"I can see," declared the Glass Cat. "My eyes are better than yours, and my pink brains--"

He got a string from his pocket and tied it around the cat's neck, and after that the creature guided them along the path. They had proceeded in this way for about an hour when a twinkling blue light appeared ahead of them.

"I think the light is traveling, too, and we shall never be able to catch up with it. But here is a house by the roadside, so why go farther?"

"Just here beside us, Scraps."

"Who is there?" cried a voice from within.

"What do you want?" asked the Voice.

"Come in, then; but don't make any noise, and you must go directly to bed," returned the Voice.

"There must be," said the boy. "Some one spoke to me."

"What is sleep?" inquired the Patchwork Girl.

"But why do you go to bed?" persisted the Patchwork Girl.

The cat, which could see in the dark, looked sharply around for the owner of the Voice, hut could discover no one, although the Voice had seemed close beside them. She arched her back a little and seemed afraid. Then she whispered to Ojo: "Come!" and led him to a bed.

"Lie down and keep quiet," whispered the cat, warningly.

"Can't I whistle?" asked Scraps.

"You must keep quiet," said the cat, in a soft voice.

Before she could say anything more an unseen hand seized her firmly and threw her out of the door, which closed behind her with a sharp slam. She found herself bumping and rolling in the road and when she got up and tried to open the door of the house again she found it locked.

"Never mind. Let's go to sleep, or something will happen to us," answered the Glass Cat.

Chapter Seven

The Troublesome Phonograph

When the boy opened his eyes next morning he looked carefully around the room. These small Munchkin houses seldom had more than one room in them. That in which Ojo now found himself had three beds, set all in a row on one side of it. The Glass Cat lay asleep on one bed, Ojo was in the second, and the third was neatly made up and smoothed for the day. On the other side of the room was a round table on which breakfast was already placed, smoking hot. Only one chair was drawn up to the table, where a place was set for one person. No one seemed to be in the room except the boy and Bungle.

"I wonder if this is my breakfast?"

He was hungry, and the breakfast looked good; so he sat down and ate all he wanted. Then, rising, he took his hat and wakened the Glass Cat.

He cast another glance about the room and, speaking to the air, he said: "Whoever lives here has been kind to me, and I'm much obliged."

"Oh, there you are!" she exclaimed cheerfully. "I thought you were never coming out. It has been daylight a long time."

"Sat here and watched the stars and the moon," she replied. "They're interesting. I never saw them before, you know."

"You were crazy to act so badly and get thrown outdoors," remarked Bungle, as they renewed their journey.

"What wolf?" inquired Ojo.

"I don't see why that should be," said the boy, thoughtfully; "there was plenty to eat in that house, for I had a fine breakfast, and I slept in a nice bed."

"Why, yes; I'm as tired as I was last night; and yet I slept very well."

"It's strange," replied Ojo. "I had a good breakfast, and yet I think I'll now eat some of my crackers and cheese."

"Kizzle-kazzle-kore; The wolf is at the door, There's nothing to eat but a bone without meat, And a bill from the grocery store."

"What does that mean?" asked Ojo.

"No," said the cat; "she's stark, staring, raving crazy, and her brains can't be pink, for they don't work properly."

Just then they heard a sound as of footsteps pattering along the path behind them and all three turned to see what was coming. To their astonishment they beheld a small round table running as fast as its four spindle legs could carry it, and to the top was screwed fast a phonograph with a big gold horn.

"Goodness me; it's that music thing which the Crooked Magician scattered the Powder of Life over," said Ojo.

"I've run away," said the music thing. "After you left, old Dr. Pipt and I had a dreadful quarrel and he threatened to smash me to pieces if I didn't keep quiet. Of course I wouldn't do that, because a talking-machine is supposed to talk and make a noise--and sometimes music. So I slipped out of the house while the Magician was stirring his four kettles and I've been running after you all night. Now that I've found such pleasant company, I can talk and play tunes all I want to."

"We are traveling on important business," he declared, "and you'll excuse me if I say we can't be bothered."

"I'm sorry; but it's true," said the boy. "You'll have to go somewhere else."

"It isn't you we hate, especially," observed the Glass Cat; "it's your dreadful music. When I lived in the same room with you I was much annoyed by your squeaky horn. It growls and grumbles and clicks and scratches so it spoils the music, and your machinery rumbles so that the racket drowns every tune you attempt."

"Just the same, you'll have to go away," said Ojo.

"Victor Columbia Edison," it answered.

"It'll drive you crazy," warned the cat.

"The only record I have with me," explained the phonograph, "is one the Magician attached just before we had our quarrel. It's a highly classical composition."

"It is classical music, and is considered the best and most puzzling ever manufactured. You're supposed to like it, whether you do or not, and if you don't, the proper thing is to look as if you did. Understand?"

"Then, listen!"

"Cut it out, Vic," she said. "That's enough."

"Let's run!" cried Scraps, and they all started and ran down the path as fast as they could go. But the phonograph was right behind them and could run and play at the same time. It called out, reproachfully:

"No, Vic," said Scraps, halting. "We will passical the classical and preserve what joy we have left. I haven't any nerves, thank goodness, but your music makes my cotton shrink."

"What's rag-time?"

"All right," said Scraps, and turned over the record.

Muffled as it was, the phonograph played on.

The music stopped, at that, and the machine turned its horn from one to another and said with great indignation: "What's the matter now? Is it possible you can't appreciate ragtime?"

"It is, indeed, dreadful!" exclaimed Ojo, with a shudder.

"Music hath charms to soothe the savage breast," asserted the phonograph sadly.

"Never! He'd smash me."

"Run along, Vic, and bother some one else," advised Scraps. "Find some one who is real wicked, and stay with him till he repents. In that way you can do some good in the world."

"Is that the way we go?" asked Bungle anxiously.

Chapter Eight

The foolish Owl and the Wise Donkey

When Ojo read this sign aloud Scraps said laughingly: "Well, here is a place to get all the advice we want, maybe more than we need. Let's go in."

"Come in!" called a deep bass voice.

"Good morning," said the donkey, in his deep voice, which seemed bigger than he was. "Did you come to us for advice?"

"Certainly," said the donkey. "Advice doesn't cost anything--unless you follow it. Permit me to say, by the way, that you are the queerest lot of travelers that ever came to my shop. Judging you merely by appearances, I think you'd better talk to the Foolish Owl yonder."

"Hoot-ti-toot-ti-toot!" cried the owl.

"That beats your poetry, Scraps," said Ojo.

"But it's good advice for the foolish," said the donkey, admiringly. "Listen to my partner, and you can't go wrong.

"Patchwork Girl has come to life; No one's sweetheart, no one's wife; Lacking sense and loving fun, She'll be snubbed by everyone."

"Why?" asked the Patchwork Girl.

"It is my beauty that dazzles you," she asserted. "You Munchkin people all strut around in your stupid blue color, while I--"

"Hoot-ti-toot!" cried the owl;

"Is the owl so very foolish?" asked the boy.

The owl flapped its wings again, muttering these words:

"Have you noticed my pink brains?" inquired Bungle, proudly. "You can see 'em work."

"The owl hasn't given us any advice, as yet," the boy declared.

"Just foolishness," replied Ojo. "Scraps does the same thing."

"The sign says that you are wise," remarked Scraps to the donkey. "I wish you would prove it."

"What is the best way to get to the Emerald City?" asked Ojo.

"I know; but what road shall I take?" was the boy's next question.

"And how shall we find the road of yellow bricks?"

"Thank you," said the boy. "At last you have told me something."

"No," replied the donkey; "I know many other things, but they wouldn't interest you. So I'll give you a last word of advice: move on, for the sooner you do that the sooner you'll get to the Emerald City of Oz."

"Off you go! fast or slow, Where you're going you don't know. Patches, Bungle, Muchkin lad, Facing fortunes good and bad, Meeting dangers grave and sad, Sometimes worried, sometimes glad-Where you're going you don't know, Nor do I, but off you go!"

"Then let's take it and go," replied Ojo.

Chapter Nine

They Meet the Woozy

"There seem to be very few houses around here, after all," remarked Ojo, after they had walked for a time in silence.

"There are worse colors than yellow in this country," asserted the Glass Cat, in a spiteful tone.

"No; I mean you, if you must know it," growled the cat.

"I wouldn't!" retorted the cat. "I've the clearest complexion in the world, and I don't employ a beauty-doctor, either."

"Please don't quarrel," begged Ojo. "This is an important journey, and quarreling makes me discouraged. To be brave, one must be cheerful, so I hope you will be as good-tempered as possible."

They soon discovered that the path they had been following now made a bend and passed around the enclosure, but what made Ojo stop and look thoughtful was a sign painted on the fence which read:

"That means," he said, "that there's a Woozy inside that fence, and the Woozy must be a dangerous animal or they wouldn't tell people to beware of it."

"But one of our errands is to find a Woozy," Ojo explained. "The Magician wants me to get three hairs from the end of a Woozy's tail."

"Perhaps there isn't any other, at all," answered Ojo. "The sign doesn't say: 'Beware a Woozy'; it says: 'Beware the Woozy,' which may, mean there's only one in all the Land of Oz.

"It would hurt him, I'm sure, and that would make him cross," said the cat.

"I am, a little," the boy admitted; "but this danger must be faced, if we intend to save poor

"Climb," answered Scraps, and at once she began climbing up the rows of bars. Ojo followed and found it more easy than he had expected. When they got to the top of the fence they began to get down on the other side and soon were in the forest. The Glass Cat, being small, crept between the lower bars and joined them.

So far they had met no living creature, but when Ojo saw the cave he knew it must be the den of the Woozy.

"I guess the Woozy is asleep," said Scraps. "Shall I throw in a stone, to waken him?"

But he had not long to wait, for the Woozy heard the sound of voices and came trotting out of his cave. As this is the only Woozy that has ever lived, either in the Land of Oz or out of it, I must describe it to you.

Seeing the strangers, the Woozy folded his hind legs as if they Lad been hinged and sat down to look his visitors over.

"Why did they shut you up here?" asked Scraps, who was regarding the queer, square creature with much curiosity.

"Are you fond of eating honey-bees?" inquired the boy.

"Why not?"

"But what do you eat now?" asked Ojo.

"You must be awfully hungry," said the boy. "I've got some bread and cheese in my basket. Would you like that kind of food?"

So the boy opened his basket and broke a piece off the loaf of bread. He tossed it toward the Woozy, who cleverly caught it in his mouth and ate it in a twinkling.

"Try some cheese," said Ojo, and threw down a piece.

"That's mighty good!" it exclaimed. "Any more?"

"That'll do," said the Woozy, at last; "I'm quite full. I hope the strange food won't give me indigestion.

"Well, I must say I'm much obliged, and I'm glad you came," announced the beast. "Is there anything I can do in return for your kindness?"

"What is it?" asked the Woozy. "Name the favor and I will grant it."

"Three hairs! Why, that's all I have--on my tail or anywhere else," exclaimed the beast.

"They are my sole ornaments, my prettiest feature," said the Woozy, uneasily. "If I give up those three hairs I--I'm just a blockhead."

"I always keep my word, for I pride myself on being square. So you may have the three hairs, and welcome. I think, under such circumstances, it would be selfish in me to refuse you."

"Any time you like," answered the Woozy.

"What's the trouble?" asked the Woozy, which Ojo had dragged here and there all around the clearing in his endeavor to pull out the hair.

"I was afraid of that," declared the beast. "You'll have to pull harder."

"Wait a jiffy," called the Woozy, and then it went to a tree and hugged it with its front paws, so that its body couldn't be dragged around by the pull. "All ready, now. Go ahead!"

"Give it up," advised the Glass Cat, as the boy arose and assisted the Patchwork Girl to her feet. "A dozen strong men couldn't pull out those Hairs. I believe they're clinched on the under side of the Woozy's thick skin."

"They're goners, I guess," said the Patchwork Girl.

But Ojo did not feel that way. He was so disheartened that he sat down upon a stump and began to cry.

"Why don't you take me with you?" asked the beast. "Then, when at last you get to the Magician's house, he can surely find some way to pull out those three hairs."

"That's it!" he cried, wiping away the tears and springing to his feet with a smile. "If I take the three hairs to the Magician, it won't matter if they are still in your body."

"Come on, then," said the boy, picking up his basket; "let us start at once. I have several other things to find, you know."

"How do you intend to get the beast out of this forest?"

"Let us go to the fence, and then we may find a way," suggested Scraps. So they walked through the forest to the fence, reaching it at a point exactly opposite that where they had entered the enclosure.

"We climbed over," answered Ojo.

Ojo tried to think what to do.

"No," answered the Woozy, "for I have no claws. My feet are quite flat on the bottom of them. Nor can I gnaw away the boards, as I have no teeth."

"You haven't heard me growl, or you wouldn't say that," declared the Woozy. "When I growl, the sound echoes like thunder all through the valleys and woodlands, and children tremble with fear, and women cover their heads with their aprons, and big men run and hide. I suppose there is nothing in the world so terrible to listen to as the growl of a Woosy."

"There is no danger of my growling, for I am not angry. Only when angry do I utter my fearful, ear-splitting, soul-shuddering growl. Also, when I am angry, my eyes flash fire, whether I growl or not."

"Of course, real fire. Do you suppose they'd flash imitation fire?" inquired the Woozy, in an injured tone.

"Ah, I have never thought of that plan, or I would have been free long ago," said the Woozy. "But I cannot flash fire from my eyes unless I am very angry."

"I'll try. You just say 'Krizzle-Kroo' to me."

"Terribly angry."

"I don't know; that's what makes me so angry," re-plied the Woozy.

"Aha! That did the business, all right. It was a happy thought for you to yell all together, for that made me as angry as I have ever been. Fine sparks, weren't they?"

In a few moments the board had burned to a distance of several feet, leaving an opening big enough for them all to pass through. Ojo broke some branches from a tree and with them whipped the fire until it was extinguished.

"So they will," declared the Woozy, chuckling gleefully. "When they find I'm gone the farmers will be badly scared, for they'll expect me to eat up their honey-bees, as I did before."

"None at all?"

"All right; I'll promise," said the Woozy, cheerfully. "And when I promise anything you can depend on it, 'cause I'm square."

"Of course it does," returned the Woozy, very decidedly. "No one could trust that Crooked Magician, for instance, just because he is crooked; but a square Woozy couldn't do anything crooked if he wanted to."

"No; you're round, so you're liable to do anything," asserted the Woozy. "Do not blame me, Miss Gorgeous, if I regard you with suspicion. Many a satin ribbon has a cotton back."

Chapter Ten

Shaggy Man to the Rescue

It was a broad road, but not straight, for it wandered over hill and dale and picked out the easiest places to go. All its length and breadth was paved with smooth bricks of a bright yellow color, so it was smooth and level except in a few places where the bricks had crumbled or been removed, leaving holes that might cause the unwary to stumble.

"Where are you bound for?" asked the Woozy.

"Then go west," said the Woozy. "I know this road pretty well, for I've chased many a honey-bee over it."

"No. I am very shy by nature, as you may have noticed, so I haven't mingled much in society."

"Me? With my heart-rending growl-my horrible, shudderful growl? I should say not. I am not afraid of anything," declared the Woozy.

"I hope nothing will break me," said the Glass Cat, in a nervous voice. "I'm a little brittle, you know, and can't stand many hard knocks."

"I'm not sure you have a heart," Ojo reminded her.

"They seem fast enough when you run," he replied; and then, looking ahead of them, he exclaimed: "Oh, what lovely trees!"

"Why, they are not trees at all," said Scraps; "they are just monstrous plants."

Suddenly a leaf bent lower than usual and touched the Patchwork Girl. Swiftly it enveloped her in its embrace, covering her completely in its thick folds, and then it swayed back upon its stem.

"Look out," cried the Woozy. "Run! Run fast, or you are lost."

The boy had no chance to escape. Half a dozen of the great leaves were bending toward him from different directions and as he stood hesitating one of them clutched him in its embrace. In a flash he was in the dark. Then he felt himself gently lifted until he was swaying in the air, with the folds of the leaf hugging him on all sides.

Then Ojo quieted himself and tried to think. Despair fell upon him when he remembered that all his little party had been captured, even as he was, and there was none to save them.

He pushed against the leaf that held him and found it to be soft, but thick and firm. It was like a great bandage all around him and he found it difficult to move his body or limbs in order to change their position.

No sound came to him through the leaf; all around was intense silence. Ojo wondered if Scraps had stopped screaming, or if the folds of the leaf prevented his hearing her. By and by he thought he heard a whistle, as of some one whistling a tune. Yes; it really must be some one whistling, he decided, for he could follow the strains of a pretty Munchkin melody that Unc Nunkie used to sing to him. The sounds were low and sweet and, although they reached Ojo's ears very faintly, they were clear and harmonious.

Suddenly the whole leaf toppled and fell, carrying the boy with it, and while he sprawled at full length the folds slowly relaxed and set him free. He scrambled quickly to his feet and found that a strange man was standing before him--a man so curious in appearance that the boy stared with round eyes.

"Oh!" exclaimed Ojo, greatly astonished at the sight of this stranger; and then he added: "Who has saved me, sir?"

"Yes; I can see that," said the boy, nodding. "Was it you who rescued me from the leaf?"

Ojo gave a jump, for he saw several broad leaves leaning toward him; but the Shaggy Man began to whistle again, and at the sound the leaves all straightened up on their stems and kept still.

"You see, the music charms 'em," said he. "Singing or whistling--it doesn't matter which-makes 'em behave, and nothing else will. I always whistle as I go by 'em and so they always let me alone. Today as I went by, whistling, I saw a leaf curled and knew there must be something inside it. I cut down the leaf with my knife and--out you popped. Lucky I passed by, wasn't it?"

"What companions?" asked the Shaggy Man.

"A what?"

"Glass?" asked the Shaggy Man.

"And alive?"

"What's a Woozy?" inquired the Shaggy Man.

"What won't come out?" asked the Shaggy Man; "the tail?"

"Of course," said the Shaggy Man, nodding his shaggy head. And then he walked back among the plants, still whistling, and found the three leaves which were curled around Ojo's traveling companions. The first leaf he cut down released Scraps, and on seeing her the Shaggy Man threw back his shaggy head, opened wide his mouth and laughed so shaggily and yet so merrily that Scraps liked him at once. Then he took off his hat and made her a low bow, saying:

When he cut down the second leaf he rescued the Glass Cat, and Bungle was so frightened that she scampered away like a streak and soon had joined Ojo, when she sat beside him panting and trembling. The last plant of all the row had captured the Woozy, and a big bunch in the center of the curled leaf showed plainly where he was. With his sharp knife the Shaggy Man sliced off the stem of the leaf and as it fell and unfolded out trotted the Woozy and escaped beyond the reach of any more of the dangerous plants.

Chapter Eleven

Soon the entire party was gathered on the road of yellow bricks, quite beyond the reach of the beautiful but treacherous plants. The Shaggy Man, staring first at one and then at the other, seemed greatly pleased and interested.

"Haven't you always lived in the Land of Oz?" asked the Munchkin boy.

"How do you like Oz?" asked Scraps. "Isn't the country and the climate grand?"

So Ojo related the story of his visit to the house of the Crooked Magician, and how he met there the Class Cat, and how the Patchwork Girl was brought to life and of the terrible accident to Unc Nunkie and Margdotte. Then he told how he had set out to find the five different things which the Magician needed to make a charm that would restore the marble figures to life, one requirement being three hairs from a Woozy's tail.

"I see," returned the Shaggy Man, who had listened with interest to the story. "But perhaps I, who am big and strong, can pull those three hairs from the Woozy's tail."

So the Shaggy Man tried it, but pull as hard as he could he failed to get the hairs out of the Woozy's tail. So he sat down again and wiped his shaggy face with a shaggy silk handkerchief and said:

"One," said Ojo, "is a six-leaved clover."

"Thank you," replied Ojo. "The next thing is the left wing of a yellow butterfly."

"Oh, I've heard of him!" exclaimed Ojo. "He must be a wonderful man."

"The next thing I must find," said the Munchkin boy, "is a gill of water from a dark well."

"No," said Ojo.

"I can't imagine," said Ojo.

"The Scarecrow! But surely, sir, a scarecrow can't know anything."

"Better than mine?" asked Scraps.

"Well, you can't see the Scarecrow's brains work, but they do a lot of clever thinking," asserted the Shaggy Man. "If anyone knows where a dark well is, it's my friend the Scarecrow."

"He has a splendid castle in the Winkle Country, near to the palace of his friend the Tin Woodman, and he is often to be found in the Emerald City, where he visits Dorothy at the royal palace."

"But what else does this Crooked Magician want?" asked the Shaggy Man.

"Oh; but there isn't such a thing."

"I wish you good luck," said the Shaggy Man, shaking his head doubtfully; "but I imagine you'll have a hard job getting a drop of oil from a live man's body. There's blood in a body, but no oil."

"I don't doubt it," returned the Shaggy Man admiringly. "You're a regular comforter and as sweet as patchwork can be. All you lack is dignity."

"She's just crazy," explained the Glass Cat.

"She's delightful, in her way," he said. "I'm sure Dorothy will be pleased with her, and the Scarecrow will dote on her. Did you say you were traveling toward the Emerald City?"

"I'll go with you," said the Shaggy Man, "and show you the way."

"No," said the other, "I wasn't going anywhere in particular. I've been a rover all my life, and although Ozma has given me a suite of beautiful rooms in her palace I still get the wandering fever once in a while and start out to roam the country over. I've been away from the Emerald City several weeks, this time, and now that I've met you and your friends I'm sure it will interest me to accompany you to the great city of Oz and introduce you to my friends."

"I hope your friends are not dignified," observed Scraps.

"There's some sense in that," said Scraps, nodding her queer head in approval. "Come on, and let's get to the Emerald City as soon as possible." With this she ran up the path, skipping and dancing, and then turned to await them.

After walking some distance over the road of yellow bricks Ojo said he was hungry and would stop to eat some bread and cheese. He offered a portion of the food to the Shaggy Man, who thanked him but refused it.

Saying this, he took a bottle from his pocket and shook from it a tablet about the size of one of Ojo's finger-nails.

"I'm square," said the Woozy. "Give me one, please."

"You have now had a six course dinner," declared the Shaggy Man.

"One should only eat to sustain life," replied the Shaggy Man, "and that tablet is equal to a peck of other food."

"You are quite wrong, my poor beast," said the Shaggy Man in a tone of pity. "Think how tired your jaws would get chewing a square meal like this, if it were not condensed to the size of a small tablet--which you can swallow in a jiffy."

"No, no! You've already eaten a big dinner!" protested the Shaggy Man.

Ojo gave the beast what he wanted, but the Shaggy Man shook his shaggy head reproachfully and said there was no animal so obstinate or hard to convince as a Woozy.

"Dear me!" exclaimed Ojo, staring hard. "What has happened to you?"

"Are you so broken up that you can't play?" asked Scraps.

"That is too bad," remarked Ojo. "We've no objection to you as a machine, you know; but as a music-maker we hate you."

They looked at one another inquiringly, but no one could answer such a puzzling question. Finally the Shaggy Man said:

Ojo sighed. "We've been very happy since we met you, sir," he said.

"It's a popular song, sir. In all civilized lands the common people have gone wild over it."

"Wild with joy, I mean," explained the phonograph. "Listen. This song will prove a rare treat to you, I know. It made the author rich--for an author. It is called 'My Lulu.'"

"Ah wants mah Lulu, mah coal-black Lulu; Ah wants mah loo-loo, loo-loo, loo-loo, Lu! Ah loves mah Lulu, mah coal-black Lulu, There ain't nobody else loves loo-loo, Lu!"

"It's the latest popular song," declared the phonograph, speaking in a sulky tone of voice.

"Yes. One that the feeble-minded can remember the words of and those ignorant of music can whistle or sing. That makes a popular song popular, and the time is coming when it will take the place of all other songs."

But before he could say more the phonograph turned and dashed up the road as fast as its four table-legs could carry it, and soon it had entirely disappeared from their view.

During the afternoon the travelers found themselves in a lonely and uninhabited part of the country. Even the fields were no longer cultivated and the country began to resemble a wilderness. The road of yellow bricks seemed to have been neglected and became uneven and more difficult to walk upon. Scrubby under-brush grew on either side of the way. while huge rocks were scattered around in abundance.

"We may as well pass the night here, where there is shelter for our heads and good water to drink. Road beyond here is pretty bad; worst we shall have to travel; so let's wait until morning before we tackle it."

For supper the Shaggy Man ate one of his tablets, but Ojo stuck to his bread and cheese as the most satisfying food. He also gave a portion to the Woozy.

"Won't you tell us a story?"

"Raven, or crow?" asked the Glass Cat.

They were glad enough to be entertained, and listened with interest while the Shaggy Man chanted the following verses to a tune that was not unpleasant:

Our Ruler's a bewitching girl whom fairies love to please; She's always kept her magic sceptre to enforce decrees To make her people happy, for her heart is kind and true And to aid the needy and distressed is what she longs to do.

I'll not forget Nick Chopper, the Woodman made of Tin, Whose tender heart thinks killing time is quite a dreadful sin, Nor old Professor Woggle-Bug, who's highly magnified And looks so big to everyone that he is filled with pride.

And now I'll introduce a beast that ev'ryone adores-The Cowardly Lion shakes with fear 'most ev'ry time he roars, And yet he does the bravest things that any lion might, Because he knows that cowardice is not considered right.

It's hard to name all of the freaks this noble Land's acquired; 'Twould make my song so very long that you would soon be tired; But give attention while I mention one wise Yellow Hen And Nine fine Tiny Piglets living in a golden pen.

"I seldom sing in public, for fear they might want me to start an opera company," remarked the Shaggy Man, who was pleased to know his effort was appreciated. "Voice, just now is a little out of training; rusty, perhaps."

"Every one of 'em. I even forgot one thing: Dorothy's Pink Kitten."

"No; just ordinary kitten."

"Dorothy's kitten is all pink--brains and all-except blue eyes. Name's Eureka. Great favorite at the royal palace," said the Shaggy Man, yawning.

"Do you think a pink kitten--common meat--is as pretty as I am?" she asked.

"I'm solid now; solid glass."

"Would anyone at the royal palace break a Glass Cat?"

Bungle considered the Shaggy Man's advice so carefully that her pink brains were busy long after the others of the party were fast asleep.

Chapter Twelve

Next morning they started out bright and early to follow the road of yellow bricks toward the Emerald City. The little Munchkin boy was beginning to feel tired from the long walk, and he had a great many things to think of and consider besides the events of the journey. At the wonderful Emerald City, which he would presently reach, were so many strange and curious people that he was half afraid of meeting them and wondered if they would prove friendly and kind. Above all else, he could not drive from his mind the important errand on which he had come, and he was determined to devote every energy to finding the things that were necessary to prepare the magic recipe. He believed that until dear Unc Nunkie was restored to life he could feel no joy in anything, and often he wished that Unc could be with him, to see all the astonishing things Ojo was seeing. But alas Unc Nunkie was now a marble statue in the house of the Crooked Magician and Ojo must not falter in his efforts to save him.

Suddenly he became aware that he had been looking at that tree a long time--at least for five minutes--and it had remained in the same position, although the boy had continued to walk steadily on. So he stopped short. and when he stopped, the tree and all the landscape, as well as his companions, moved on before him and left him far behind.

"What's wrong?" asked the Shaggy Man.

Scraps looked down at her feet and said: "The yellow bricks are not moving."

"True; quite true," agreed the Shaggy Man. "I know all about the tricks of this road, but I have been thinking of something else and didn't realize where we were."

"No," replied the Shaggy Man; "it won't do that, for I know a trick to beat this tricky road. I've traveled this way before, you know. Turn around, all of you, and walk backward."

"You'll find out, if you obey me," said the Shaggy Man.

"How long must we keep this up, Shags?" asked Scraps, who was constantly tripping and tumbling down, only to get up again with a laugh at her mishap.

A few minutes later he called to them to turn about quickly and step forward, and as they obeyed the order they found themselves treading solid ground.

With new courage and energy they now trudged forward and after a time came to a place where the road cut through a low hill, leaving high banks on either side of it. They were traveling along this cut, talking together, when the Shaggy Man seized Scraps with one arm and Ojo with another and shouted: "Stop!"

"See there!" answered the Shaggy Man, pointing with his finger.

"Well, what of it?" asked Scraps.

"Chiss! What is Chiss?

"Then we will be foolish to get too near, said Scraps.

"Oh; can you growl?" asked the Shaggy Man.

"In that case," said the Shaggy Man, "you are now able to do us all a great favor. Please growl."

"True; but we must take that risk," decided the Shaggy Man, bravely. "Being warned of what is to occur we must try to bear the terrific noise of your growl; but Chiss won't expect it, and it will scare him away."

"I'm fond of you all, and I hate to shock you," it said.

"You may be made deaf."

"Very well, then," said the Woozy in a determined voice, and advanced a few steps toward the giant porcupine. Pausing to look back, it asked: "All ready?"

"Then cover up your ears and brace yourselves firmly. Now, then--look out!"

"Quee-ee-ee-eek."

"Why, I--I did growl!" retorted the Woozy, who seemed much astonished.

"It is the most awful growl that ever was heard, on land or sea, in caverns or in the sky," protested the Woozy. "I wonder you stood the shock so well. Didn't you feel the ground tremble? I suppose Chiss is now quite dead with fright."

"Poor Wooz!" said he; "your growl wouldn't scare a fly."

"That is true," declared Scraps; "I saw it done myself. But your ferocious growl isn't as loud as the tick of a beetle--or one of Ojo's snores when he's fast asleep."

"Never mind," Ojo said soothingly; "it is a great talent to be able to flash fire from your eyes. No one else can do that."

When the attack was over they all ran to the Shaggy Man, who was moaning and groaning, and Scraps promptly pulled the quill out of his leg. Then up he jumped and ran over to Chiss, putting his foot on the monster's neck and holding it a prisoner. The body of the great porcupine was now as smooth as leather, except for the holes where the quills had been, for it had shot every single quill in that one wicked shower.

"I'm going to do worse than that, old boy," replied the Shaggy Man. "You have annoyed travelers on this road long enough, and now I shall put an end to you."

"Perhaps that is true," said the Shaggy Man in a tone of disappointment. "Seems to me I've been told before that you can't be killed. But if I let you go, what will you do?"

"And then shoot them at more travelers? No; that won't do. You must promise me to stop throwing quills at people."

"Why not?"

"Why, there's some sense in that argument, admitted the Shaggy Man, thoughtfully; "but people who are strangers, and don't know you are here, won't be able to keep out of your way."

"Ah, that's a clever idea. You and Ojo must gather up the quills while I hold Chiss a prisoner; for, if I let him go he will get some of his quills and be able to throw them again."

"It's the meanest trick I ever heard of," muttered the porcupine gloomily. "How would you like it, Shaggy Man, if I took all your shags away from you?"

Then they walked on and left Chiss standing in the road sullen and disconsolate. The Shaggy Man limped as he walked, for his wound still hurt him, and Scraps was much annoyed be cause the quills had left a number of small holes in her patches.

"I am Ojo the Unlucky," he said, "or we would never have met that dreadful porcupine. But I will see if I can find anything among these charms which will cure your leg."

"Rub it on the holes in my patches," suggested Scraps, and Ojo tried it, but without any effect.

"They'll let in the air, and I don't want people to think I'm airy, or that I've been stuck up," said the Patchwork Girl.

So now they went on again and coming presently to a pond of muddy water they tied a heavy stone to the bundle of quills and sunk it to the bottom of the pond, to avoid carrying it farther.

Chapter Thirteen

From here on the country improved and the desert places began to give way to fertile spots; still no houses were yet to be seen near the road. There were some hills, with valleys between them, and on reaching the top of one of these hills the travelers found before them a high wall, running to the right and the left as far as their eyes could reach. Immediately in front of them, where the wall crossed the roadway, stood a gate having stout iron bars that extended from top to bottom. They found, on coming nearer, that this gate was locked with a great padlock, rusty through lack of use.

"It's a good guess," replied Ojo. "Our way is barred by this great wall and gate. It looks as if no one had passed through in many years.

"It prevents our going any farther, anyhow," said Scraps. "There is no one to mind the gate and let people through, and we've no key to the padlock."

"All very true," answered the Shaggy Man, quietly; "but I know this gate, having passed through it many times."

"I'll show you how," said he. He stood Ojo in the middle of the road and placed Scraps just behind him, with her padded hands on his shoulders. After the Patchwork Girl came the Woozy, who held a part of her skirt in his mouth. Then, last of all, was the Glass Cat, holding fast to the Woozy's tail with her glass jaws.

"I can't," objected Scraps. "My eyes are buttons, and they won't shut."

"What's the game, anyhow--blind-man's-buff?" asked Scraps.

He took Ojo's hand and led him forward over the road of yellow bricks, toward the gate. Holding fast to one another they all followed in a row, expecting every minute to bump against the iron bars. The Shaggy Man also had his eyes closed, but marched straight ahead, nevertheless, and after he had taken one hundred steps, by actual count, he stopped and said:

They did so, and to their astonishment found the wall and the gateway far behind them, while in front the former Blue Country of the Munchkins had given way to green fields, with pretty farm-houses scattered among them.

They were delighted to know this, and proceeded with new courage. In a couple of hours they stopped at a farmhouse, where the people were very hospitable and invited them to dinner. The farm folk regarded Scraps with much curiosity but no great astonishment, for they were accustomed to seeing extraordinary people in the Land of Oz.

"You ought to have a hat to wear," remarked the woman, "for that would keep the sun from fading the colors of your face. I have some patches and scraps put away, and if you will wait two or three days I'll make you a lovely hat that will match the rest of you."

"Not much," replied the woman. "You are still very gorgeous, in spite of your long journey."

"Children are rough playmates," she remarked to the Shaggy Man, "and although this home is more pleasant than that of the Crooked Magician I fear I would soon be smashed to pieces by the boys and girls."

By and by Ojo began to walk on the green grass, looking carefully around him.

"A six-leaved clover," said he.

"She wouldn't know it," declared the boy.

"Does she always watch the Magic Picture?" asked Ojo.

"I don't care," said Ojo, in an obstinate tone of voice; "Ozma's only a girl."

"You ought to care for Ozma," said he, "if you expect to save your uncle. For, if you displease our powerful Ruler, your journey will surely prove a failure; whereas, if you make a friend of Ozma, she will gladly assist you. As for her being a girl, that is another reason why you should obey her laws, if you are courteous and polite. Everyone in Oz loves Ozma and hates her enemies, for she is as just as she is powerful."

They presently came to a beautiful grove of tall and stately trees, through which the road wound in sharp curves--first one way and then another. As they were walking through this grove they heard some one in the distance singing, and the sounds grew nearer and nearer until they could distinguish the words, although the bend in the road still hid the singer. The song was something like this:

"Ah!" exclaimed the Shaggy Man; "here comes my friend the Scarecrow.

"Yes; the one I told you of. He's a splendid fellow, and very intelligent. You'll like him, I'm sure.

The Scarecrow wore the blue dress of the Munchkins, in which country he was made, and on his head was set a peaked hat with a flat brim trimmed with tinkling bells. A rope was tied around his waist to hold him in shape. for he was stuffed with straw in every part of him except the top of his head, where at one time the Wizard of Oz had placed sawdust, mixed with needles and pins, to sharpen his wits. The head itself was merely a bag of cloth, fastened to the body at the neck, and on the front of this bag was painted the face--ears, eyes, nose and mouth.

The Sawhorse was almost as curious as its rider. It had been rudely made, in the beginning, to saw logs upon, so that its body was a short length of a log, and its legs were stout branches fitted into four holes made in the body. The tail was formed by a small branch that had been left on the log, while the head was a gnarled bump on one end of the body. Two knots of wood formed the eyes, and the mouth was a gash chopped in the log. When the Sawhorse first came to life it had no ears at all, and so could not hear; but the boy who then owned him had whittled two ears out of bark and stuck them in the head, after which the Sawhorse heard very distinctly.

As the Scarecrow came in sight of the party of travelers, he reined in his wooden steed and dismounted, greeting the Shaggy Man with a smiling nod. Then he turned to stare at the Patchwork Girl in wonder, while she in turn stared at him.

While his friend punched and patted the Scarecrow's body, to smooth out the humps, Scraps turned to Ojo and whispered: "Roll me out, please; I've sagged down dreadfully from walking so much and men like to see a stately figure."

"Allow me, Miss Patchwork," said the Shaggy Man, "to present my friend, the Right Royal Scarecrow of Oz. Scarecrow, this is Miss Scraps Patches; Scraps, this is the Scarecrow. Scarecrow--Scraps; Scraps--Scarecrow."

"Forgive me for staring so rudely," said the Scarecrow, "but you are the most beautiful sight my eyes have ever beheld."

"Yes, of course; that's my straw, you know. It bunches up, sometimes, in spite of all my efforts to keep it even. Doesn't your straw ever bunch?"

"But cotton is a high-grade stuffing. I may say it is even more stylish, not to say aristocratic, than straw," said the Scarecrow politely. "Still, it is but proper that one so entrancingly lovely should have the best stuffing there is going. I-er--I'm so glad I've met you, Miss Scraps! Introduce us again, Shaggy."

"Then tell me where you found her, and--Dear me, what a queer cat! What are you made of--gelatine?"

"No more have I," said the Scarecrow, shaking hands with Scraps, as if to congratulate her on the fact. "I've a friend, the Tin Woodman, who has a heart, but I find I get along pretty well without one. And so--Well, well! here's a little Munchkin boy, too. Shake hands, my little man. How are you?"

Meantime, the Woozy had approached the Sawhorse and begun to sniff at it. The Sawhorse resented this familiarity and with a sudden kick pounded the Woozy squarely on its Lead with one gold-shod foot.

The Woozy never even winked.

The Sawhorse rolled its knot eyes wickedly and kicked again, but the Woozy trotted away and said to the Scarecrow:

"I think the trouble is that you haven't been properly introduced," said the Scarecrow, regarding the Woozy with much wonder, for he had never seen such a queer animal before.

The Woozy was somewhat abashed by this speech and did not know how to reply. But Ojo said:

The Scarecrow looked and saw that this was true.

So Ojo related the sad story of Unc Nunkie's transformation into a marble statue, and told how he had set out to find the things the Crooked Magician wanted, in order to make a charm that would restore his uncle to life. One of the requirements was three hairs from a Woozy's tail, but not being able to pull out the hairs they had been obliged to take the Woozy with them.

"We must see Ozma about this matter," he said. "That Crooked Magician is breaking the Law by practicing magic without a license, and I'm not sure Ozma will allow him to restore your uncle to life."

At this Ojo began to cry. "I want my Unc Nunkie!" he exclaimed. "I know how he can be restored to life, and I'm going to do it--Ozma or no Ozma! What right has this girl Ruler to keep my Unc Nunkie a statue forever?"

"I'm a better beast than he is," retorted the Woozy, indignantly. "My eyes can flash fire, and his can't."

"Yes," said Ojo, and told how the Woozy had set fire to the fence.

"I have a most terrible growl--that is, sometimes," said the Woozy, as Scraps laughed merrily and the Shaggy Man smiled. But the Patchwork Girl's laugh made the Scarecrow forget all about the Woozy. He said to her:

"No wonder they call you the Wise Scarecrow," replied Scraps.

"When do you expect to return to the Emerald City?" asked the Shaggy Man.

"Anything that suits you suits me," returned the wooden horse.

Chapter Fourteen

Ojo Breaks the Law

"And so nice and polite," added Scraps, bobbing her Lead. "I think he is the handsomest man I've seen since I came to life."

"I didn't notice any brains in his head," observed the Glass Cat.

"Is the Wizard of Oz a humbug?" asked Ojo.

They walked a little while in silence and then Ojo said:

The Shaggy Man shook his head.

"Is Dorothy the little girl who came here from Kansas?" asked the boy.

"What is queer about it?" asked Scraps.

"Did you see no girls as beautiful as I am in your own country?" she inquired.

"What a queer country America must be!" she exclaimed in great surprise. "The Scarecrow, whom you say is wise, told me I am the most beautiful creature he has ever seen."

As they drew nearer to the Emerald City the travelers were filled with admiration for the splendid scenery they beheld. Handsome houses stood on both sides of the road and each had a green lawn before it as well as a pretty flower garden.

He was walking ahead, with Scraps, and behind them came the Woozy and the Glass Cat. Ojo had lagged behind, for in spite of the warnings he had received the boy's eyes were fastened on the clover that bordered the road of yellow bricks and he was eager to discover if such a thing as a six-leaved clover really existed.

He glanced ahead and saw that none of his companions was looking back. Neither were any other people about, for it was midway between two houses. The temptation was too strong to be resisted.

The Emerald City, which is the most splendid as well as the most beautiful city in any fairyland, is surrounded by a high, thick wall of green marble, polished smooth and set with glistening emeralds. There are four gates, one facing the Munchkin Country, one facing the Country of the Winkies, one facing the Country of the Quadlings and one facing the Country of the Gillikins. The Emerald City lies directly in the center of these four important countries of Oz. The gates had bars of pure gold, and on either side of each gateway were built high towers, from which floated gay banners. Other towers were set at distances along the walls, which were broad enough for four people to walk abreast upon.

They stood a long time on the hilltop, feasting their eyes on the splendor of the Emerald City.

"Why, you belong to Dr. Pipt," replied Ojo, looking at her in amazement. "You were made for a servant, Scraps, so you are personal property and not your own mistress."

"In this country," remarked the Shaggy Man, "people live wherever our Ruler tells them to. It wouldn't do to have everyone live in the Emerald City, you know, for some must plow the land and raise grains and fruits and vegetables, while others chop wood in the forests, or fish in the rivers, or herd the sheep and the cattle."

"I'm not sure they are not happier than the city people," replied the Shaggy Man. "There's a freedom and independence in country life that not even the Emerald City can give one. I know that lots of the city people would like to get back to the land. The Scarecrow lives in the country, and so do the Tin Woodman and Jack Pumpkinhead; yet all three would be welcome to live in Ozma's palace if they cared to. Too much splendor becomes tiresome, you know. But, if we're to reach the Emerald City before sundown, we must hurry, for it is yet a long way off."

At last they reached the great gateway, just as the sun was setting and adding its red glow to the glitter of the emeralds on the green walls and spires. Somewhere inside the city a band could be heard playing sweet music; a soft, subdued hum, as of many voices, reached their ears; from the neighboring yards came the low mooing of cows waiting to be milked.

"Halt!" said the Soldier with the Green Whiskers, not in a stern voice but rather in a friendly tone.

"Good evening, Colonel," said the Shaggy Man. "What's the news since I left? Anything important?"

"She has a right to be," agreed the Shaggy Man. "Let me see; that's about seven thousand chicks she has hatched out; isn't it, General?"

"It will give me pleasure to do that," said the Shaggy Man. "But you will observe that I have brought some strangers home with me. I am going to take them to see Dorothy."

"Why, that's me!" cried Ojo, astonished at hearing his name on the lips of a stranger.

"Arrest me!" exclaimed the boy. "What for?"

"Breaking a law!" said Scraps. "Nonsense, Soldier; you're joking."

"And only one man!" exclaimed the Patchwork Girl.

"But you are wrong," said Scraps. "Ozma is wrong--you are all wrong--for Ojo has broken no Law."

With this he took from his pocket a pair of handcuffs made of gold and set with rubies and diamonds, and these he snapped over Ojo's wrists.

Chapter Fifteen

The boy was so bewildered by this calamity that he made no resistance at all. He knew very well he was guilty, but it surprised him that Ozma also knew it. He wondered how she had found out so soon that he had picked the six-leaved clover. He handed his basket to Scraps and said:

The Shaggy Man had been gazing earnestly in the boy's face, uncertain whether to defend him or not; but something he read in Ojo's expression made him draw back and refuse to interfere to save him. The Shaggy Man was greatly surprised and grieved, but he knew that Ozma never made mistakes and so Ojo must really have broken the Law of Oz.

"Listen!" he said, holding up his hand for silence. "I've just composed a tune called 'The Speckled Alligator.' It's in patch-time, which is much superior to rag-time, and I've composed it in honor of the Patchwork Girl, who has just arrived."

"It's my business to know who's coming, for I'm the Guardian of the Gate. Keep quiet while I play you 'The Speckled Alligator.'"

"Guardian, I have here a prisoner."

"No; this boy."

"Can't say," replied the soldier. "All I know is that he has broken the Law."

"Then he must be innocent, and soon will be released. I hope you are right, Guardian. Just now I am ordered to take him to prison. Get me a prisoner's robe from your Official Wardrobe."

As the Guardian unlocked a gate leading from his room into the streets of the Emerald City, the Shaggy Man said to Scraps:

"What will they do with him?" asked Scraps.

"Seems to me that girl Ruler of yours is making a big fuss over nothing," remarked Scraps, tossing her yarn hair out of her eyes with a jerk of her patched head. "I don't know what Ojo has done, but it couldn't be anything very, bad, for you and I were with him all the time."

They soon separated from the Munchkin boy, who was led by the Soldier with the Green Whiskers down a side street toward the prison. Ojo felt very miserable and greatly ashamed of himself, but he was beginning to grow angry because he was treated in such a disgraceful manner. Instead of entering the splendid Emerald City as a respectable traveler who was entitled to a welcome and to hospitality, he was being brought in as a criminal, handcuffed and in a robe that told all he met of his deep disgrace.

The little Munchkin boy was so busy thinking these things--which many guilty prisoners have thought before him--that he scarcely noticed all the splendor of the city streets through which they passed. Whenever they met any of the happy, smiling people, the boy turned his head away in shame, although none knew who was beneath the robe.

A woman opened the door and, seeing Ojo in his white robe, exclaimed:

"The size doesn't matter, Tollydiggle, my dear. The fact remains that he is a prisoner," said the soldier. "And, this being the prison, and you the jailer, it is my duty to place the prisoner in your charge."

They entered the house and passed through a hall to a large circular room, where the woman pulled the robe off from Ojo and looked at him with kindly interest. The boy, on his part, was gazing around him in amazement, for never had he dreamed of such a magnificent apartment as this in which he stood. The roof of the dome was of colored glass, worked into beautiful designs. The walls were paneled with plates of

"May I stay here a little while before I go to prison?" asked the boy, pleadingly.

"I know that very well," replied the soldier and at once unlocked the handcuffs and released the prisoner.

"What name?"

"Unlucky? Ah, that accounts for it," said she. "What crime?"

"All right. There's your receipt, Soldier; and now I'm responsible for the prisoner. I'm glad of it, for this is the first time I've ever had anything to do, in my official capacity," remarked the jailer, in a pleased tone.

Saying this, be nodded farewell to Tollydiggle and Ojo and went away.

Ojo thought about it. Then he said: "I'll take the chops, if you please."

Ojo was much astonished, for not only was this unlike any prison he had ever heard of, but he was being treated more as a guest than a criminal. There were many windows and they bad no locks. There were three doors to the room and none were bolted. He cautiously opened one of the doors and found it led into a hallway. But he had no intention of trying to escape. If his jailor was willing to trust him in this way he would not betray her trust, and moreover a hot supper was being prepared for him and his prison was very pleasant and comfortable. So he took a book from the case and sat down in a big chair to look at the pictures.

Tollydiggle sat near him while he ate, sewing on some fancy work she held in her lap. When he had finished she cleared the table and then read to him a story from one of the books.

"Indeed it is," she replied. "It is the only prison in the Land of Oz."

"Bless the child! Of course."

Tollydiggle seemed surprised by the question, but she presently answered:

Ojo thought this over very carefully. "I had an idea," said he, "that prisoners were always treated harshly, to punish them."

"I--I hate to be different from other people," he admitted.

"Yes," said Ojo, "I've lived all my life in the heart of a lonely forest, where I saw no one but dear Unc Nunkie."

Chapter Sixteen

Princess Dorothy

Dorothy was reading in a book this evening when Jellia Jamb, the favorite servant-maid of the palace, came to say that the Shaggy Man wanted to see her.

"But he has some queer creatures with him--some of the queerest I've ever laid eyes on," reported Jellia.

But when the door opened to admit not only the Shaggy Man, but Scraps, the Woozy and the Glass Cat, Dorothy jumped up and looked at her strange visitors in amazement. The Patchwork Girl was the most curious of all and Dorothy was uncertain at first whether Scraps was really alive or only a dream or a nightmare. Toto, her dog, slowly uncurled himself and going to the Patchwork Girl sniffed at her inquiringly; but soon he lay down again, as if to say he had no interest in such an irregular creation.

"Who, me?" asked Scraps, looking around the pretty room instead of at the girl. "Oh, I came from a bed-quilt, I guess. That's what they say, anyhow. Some call it a crazy-quilt and some a patchwork quilt. But my name is Scraps--and now you know all about me."

"That's an easy job," said Scraps, sitting upon a big upholstered chair and making the springs bounce her up and down. "Margolotte wanted a slave, so she made me out of an old bed-quilt she didn't use. Cotton stuffing, suspender-button eyes, red velvet tongue, pearl beads for teeth. The Crooked Magician made a Powder of Life, sprinkled me with it and--here I am. Perhaps you've noticed my different colors. A very refined and educated gentleman named the Scarecrow, whom I met, told me I am the most beautiful creature in all Oz, and I believe it."

"Yes; isn't he jolly?"

"He only practices magic for the benefit of his own family," explained Bungle, who was keeping at a respectful distance from the little black dog.

"I'm glass, and transparent, too, which is more than can be said of some folks," answered the cat. "Also I have some lovely pink brains; you can see 'em work."

The Class Cat hesitated, eyeing the dog.

"Beast! Why, that's my dog Toto, an' he's the kindest dog in all the world. Toto knows a good many things, too; 'most as much as I do, I guess."

"He can't talk, not being a fairy dog," explained Dorothy. "He's just a common United States dog; but that's a good deal; and I understand him, and he understands me, just as well as if he could talk."

"This cat, Toto," she said to him, "is made of glass, so you mustn't bother it, or chase it, any more than you do my Pink Kitten. It's prob'ly brittle and might break if it bumped against anything."

The Glass Cat was so proud of her pink brains that she ventured to come close to Dorothy, in order that the girl might "see 'em work." This was really interesting, but when Dorothy patted the cat she found the glass cold and hard and unresponsive, so she decided at once that Bungle would never do for a pet.

"He made me," replied the cat; "so I know all about him. The Patchwork Girl is new--three or four days old--but I've lived with Dr. Pipt for years; and, though I don't much care for him, I will say that he has always refused to work magic for any of the people who come to his house. He thinks there's no harm in doing magic things for his own family, and he made me out of glass because the meat cats drink too much milk. He also made Scraps come to life so she could do the housework for his wife Margolotte."

"I think you'd better let me explain that," interrupted the Shaggy Man, and then he told Dorothy all of Ojo's story and how Unc Nunkie and Margolotte had accidentally been turned to marble by the Liquid of Petrifaction. Then he related how the boy had started out in search of the things needed to make the magic charm, which would restore the unfortunates to life, and how he had found the Woozy and taken him along because he could not pull the three hairs out of its tail. Dorothy listened to all this with much interest, and thought that so far Ojo had acted very well. But when the Shaggy Man told her of the Munchkin boy's arrest by the Soldier with the Green Whiskers, because he was accused of wilfully breaking a Law of Oz, the little girl was greatly shocked.

"I fear he has picked a six-leaved clover," answered the Shaggy Man, sadly. "I did not see him do it, and I warned him that to do so was against the Law; but perhaps that is what he did, nevertheless."

"Don't mention it," said Scraps. "That's no affair of mine. Margolotte and Unc Nunkie are perfect strangers to me, for the moment I came to life they came to marble."

"I'm glad she did," retorted the Patchwork Girl. "A heart must be a great annoyance to one. It makes a person feel sad or sorry or devoted or sympathetic--all of which sensations interfere with one's happiness."

"That's a pretty hard heart of yours," said Dorothy. "And the Woozy, of course--"

Dorothy walked over and patted the Woozy on his square head.

"I can make my eyes flash fire--real fire--when I'm angry. When anyone says: 'Krizzle-Kroo' to me I get angry, and then my eyes flash fire."

"I--I thought I bad a very terrifying growl," said the Woozy, with hesitation; "but perhaps I was mistaken."

"I don't know," she said, shaking her head thoughtfully. "Ozma will see him 'bout it, of course, and then she'll punish him. But how, I don't know, 'cause no one ever has been punished in Oz since I knew anything about the place. Too bad, Shaggy Man, isn't it?"

Scraps was quick-witted, and although she had no heart she recognized the fact that Ojo was her first friend. She knew at once that because the boy had taken the clover he bad been imprisoned, and she understood that Ojo had given her the basket so they would not find the clover in his possession and have proof of his crime. So, turning her head to see that no one noticed her, she took the clover from the basket and dropped it into a golden vase that stood on Dorothy's table. Then she came forward and said to Dorothy:

"Ozma ordered the boy's arrest," said Dorothy, "and of course she knew what she was doing. But if you can prove Ojo is innocent they will set him free at once.

"I s'pose so."

As it was nearly time for Dorothy to dine with Ozma, which she did every evening, she rang for a servant and ordered the Woozy taken to a nice room and given plenty of such food as he liked best.

"You can't eat honey-bees, but you'll be given something just as nice," Dorothy told him. Then she had the Glass Cat taken to another room for the night and the Patchwork Girl she kept in one of her own rooms, for she was much interested in the strange creature and wanted to talk with her again and try to understand her better.

Chapter Seventeen

The Shaggy Man had a room of his own in the royal palace, so there he went to change his shaggy suit of clothes for another just as shaggy but not so dusty from travel. He selected a costume of peagreen and pink satin and velvet, with embroidered shags on all the edges and iridescent pearls for ornaments. Then he bathed in an alabaster pool and brushed his shaggy hair and whiskers the wrong way to make them still more shaggy. This accomplished, and arrayed in his splendid shaggy garments, he went to Ozma's banquet hall and found the Scarecrow, the Wizard and Dorothy already assembled there. The Scarecrow had made a quick trip and returned to the Emerald City with his left ear freshly painted.

Much has been told and written concerning the beauty of person and character of this sweet girl Ruler of the Land of Oz--the richest, the happiest and most delightful fairyland of which we have any knowledge. Yet with all her queenly qualities Ozma was a real girl and enjoyed the things in life that other real girls enjoy. When she sat on her splendid emerald throne in the great Throne Room of her palace and made laws and settled disputes and tried to keep all her subjects happy and contented, she was as dignified and demure as any queen might be; but when she had thrown aside her jeweled robe of state and her sceptre, and had retired to her private apartments, the girl-joyous, light-hearted and free--replaced the sedate Ruler.

"What a lovely left ear! Why, it's a hundred times better than the old one."

"It really is wonderful," she agreed, as they all took their seats; "but the Sawhorse must have his legs twinkle to have carried you so far in one day. I didn't expect you back before tomorrow, at the earliest."

Ozma laughed.

"Have you seen her, then?" the straw man eagerly asked.

"I fear the picture didn't do her justice," said the Scarecrow.

"I am glad you like her," said the Scarecrow in a satisfied tone. Although the straw man did not eat, not being made so he could, he often dined with Ozma and her companions, merely for the pleasure of talking with them. He sat at the table and had a napkin and plate, but the servants knew better than to offer him food. After a little while he asked: "Where is the Patchwork Girl now?"

"She's half crazy, I think," added the Shaggy Man.

Another thing they avoided was conversing on unpleasant subjects, and for that reason Ojo and his troubles were not mentioned during the dinner. The Shaggy Man, however, related his adventures with the monstrous plants which had seized and enfolded the travelers, and told how he had robbed Chiss, the giant porcupine, of the quills which it was accustomed to throw at people. Both Dorothy and Ozma were pleased with this exploit and thought it served Chiss right.

"Still," said the Shaggy Man, "the Glass Cat is very pretty and if she were not so conceited over her pink brains no one would object to her as a companion.

"That Powder of Life which is made by the Crooked Magician is really a wonderful thing. But Dr. Pipt does not know its true value and he uses it in the most foolish ways."

"I've never heard that story," said the Shaggy Man, looking at Ozma questioningly.

That story interested the Shaggy Man very much, as well as the others, who had often heard it before. The dinner being now concluded, they all went to Ozma's drawing-room, where they passed a pleasant evening before it came time to retire.

Chapter Eighteen

The next morning the Soldier with the Green Whiskers went to the prison and took Ojo away to the royal palace, where he was summoned to appear before the girl Ruler for judgment. Again the soldier put upon the boy the jeweled handcuffs and white prisoner's robe with the peaked top and holes for the eyes. Ojo was so ashamed, both of his disgrace and the fault he had committed, that he was glad to be covered up in this way, so that people could not see him or know who he was. He followed the Soldier with the Green Whiskers very willingly, anxious that his fate might be decided as soon as possible.

When Ojo was escorted into the great Throne Room of the palace he found hundreds of people assembled there. In the magnificent emerald throne, which sparkled with countless jewels, sat Ozma of Oz in her Robe of State, which was embroidered with emeralds and pearls. On her right, but a little lower, was Dorothy, and on her left the Scarecrow. Still lower, but nearly in front of Ozma, sat the wonderful Wizard of Oz and on a small table beside him was the golden vase from Dorothy's room, into which Scraps had dropped the stolen clover.

Seated on ivory chairs before Ozma, with a clear space between them and the throne, were many of the nobility of the Emerald City, lords and ladies in beautiful costumes, and officials of the kingdom in the royal uniforms of Oz. Behind these courtiers were others of less importance, filling the great hall to the very doors.

"Hullo, Ojo," said Scraps; "how are you?"

At a sign from Ozma the soldier removed Ojo's white robe and the boy stood face to face with the girl who was to decide his punishment. He saw at a glance how lovely and sweet she was, and his heart gave a bound of joy, for he hoped she would be merciful.

"One of the Laws of Oz forbids anyone to pick a six-leaved clover. You are accused of having broken this Law, even after you had been warned not to do so.

"All this fuss is about nothing at all," she said, facing Ozma unabashed. "You can't prove he picked the six-leaved clover, so you've no right to accuse him of it. Search him, if you like, but you won't find the clover; look in his basket and you'll find it's not there. He hasn't got it, so I demand that you set this poor Munchkin boy free."

"So the clover hasn't been picked, eh?" he said. "I think it has. I think the boy hid it in his basket, and then gave the basket to you. I also think you dropped the clover into this vase, which stood in Princess Dorothy's room, hoping to get rid of it so it would not prove the boy guilty. You're a stranger here, Miss Patches, and so you don't know that nothing can be hidden from our powerful Ruler's Magic Picture--nor from the watchful eyes of the humble Wizard of Oz. Look, all of you!" With these words he waved his hands toward the vase on the table, which Scraps now noticed for the first time.

The Patchwork Girl looked at the clover and said: "Oh, so you've found it. Very well; prove he picked it, if you can."

"Did you pick the six-leaved clover?" she asked.

"What caused you to think that?" asked the Ruler.

Ozma regarded him musingly, her chin resting upon her hand; but she was not angry. On the contrary she smiled a little at her thoughts and then grew sober again.

Ojo knew she was right and felt greatly mortified to realize he had acted and spoken so ridiculously. But he raised his head and looked Ozma in the face, saying:

Ozma smiled more brightly, then, and nodded graciously.

"I beg your pardon; I'm Ojo the Unlucky," said the boy.

The people were glad to hear Ozma's decree and murmured their approval. As the royal audience was now over, they began to leave the Throne Room and soon there were none remaining except Ojo and his friends and Ozma and her favorites.

"The Crooked Magician was wrong to make the Glass Cat and the Patchwork Girl, for it was against the Law. And if he had not unlawfully kept the bottle of Liquid of Petrifaction standing on his shelf, the accident to his wife Margolotte and to Unc Nunkie could not have occurred. I can understand, however, that Ojo, who loves his uncle, will be unhappy unless he can save him. Also I feel it is wrong to leave those two victims standing as marble statues, when they ought to be alive. So I propose we allow Dr. Pipt to make the magic charm which will save them, and that we assist Ojo to find the things he is seeking. What do you think, Wizard?"

"I will," promised Ozma.

"The three hairs from the Woozy's tail I have," said the boy. "That is, I have the Woozy, and the hairs are in his tail. The six-leaved clover I--I--"

"Thank you!" cried Ojo gratefully. Then he continued: "The next thing, I must find is a gill of water from a dark well.'

"I am willing to travel for years, if it will save Unc Nunkie," declared Ojo, earnestly.

Dorothy bad been listening with interest to this conversation. Now she turned to Ozma and asked: "May I go with Ojo, to help him?"

"Yes. I know Oz pretty well, but Ojo doesn't know it at all. I'm sorry for his uncle and poor Margolotte and I'd like to help save them. May I go?"

"If Dorothy goes, then I must go to take care of her," said the Scarecrow, decidedly. "A dark well can only be discovered in some out-of-the-way place, and there may be dangers there."

"I'll take care of myself," announced Scraps, "for I'm going with the Scarecrow and Dorothy. I promised Ojo to help him find the things he wants and I'll stick to my promise."

"I prefer to remain here," said the cat. "I've nearly been nicked half a dozen times, already, and if they're going into dangers it's best for me to keep away from them."

"Better take me along," said the Woozy. "My eyes can flash fire, you know, and I can growl--a little."

After consulting together they decided that Ojo and his party should leave the very next day to search for the gill of water from a dark well, so they now separated to make preparations for the journey.

"If such a thing is anywhere in the settled parts of Oz," said Dorothy, "we'd prob'ly have heard of it long ago. If it's in the wild parts of the country, no one there would need a dark well. P'raps there isn't such a thing."

"That's true," agreed Dorothy; "and, if it's anywhere in the Land of Oz, we're bound to find it."

"Don't do that," begged Ojo, earnestly. "I'm called Ojo the Unlucky, you know."

Chapter Nineteen

A day's journey from the Emerald City brought the little band of adventurers to the home of Jack Pumpkinhead, which was a house formed from the shell of an immense pumpkin. Jack had made it himself and was very proud of it. There was a door, and several windows, and through the top was stuck a stovepipe that led from a small stove inside. The door was reached by a flight of three steps and there was a good floor on which was arranged some furniture that was quite comfortable.

The body of this remarkable person was made of wood, branches of trees of various sizes having been used for the purpose. This wooden framework was covered by a red shirt--with white spots in it--blue trousers, a yellow vest, a jacket of green-and-gold and stout leather shoes. The neck was a sharpened stick on which the pumpkin head was set, and the eyes, ears, nose and mouth were carved on the skin of the pumpkin, very like a child's jack-o'-lantern.

The travelers were cordially welcomed to this quaint domicile and invited to pass the night there, which they had planned to do. The Patchwork Girl was greatly interested in Jack and examined him admiringly.

Jack turned, at this, to examine the Scarecrow critically, and his old friend slyly winked one painted eye at him.

"I adore stuffing," said the Patchwork Girl.

"Oh; do you change your head?" asked Ojo.

"Who carves the faces on them?" inquired the boy.

Before she had started on the journey Dorothy had packed a knapsack with the things she might need, and this knapsack the Scarecrow carried strapped to his back. The little girl wore a plain gingham dress and a checked sunbonnet, as she knew they were best fitted for travel. Ojo also had brought along his basket, to which Ozma had added a bottle of "Square Meal Tablets" and some fruit. But Jack Pumpkinhead grew a lot of things in his garden besides pumpkins, so he cooked for them a fine vegetable soup and gave Dorothy, Ojo and Toto, the only ones who found it necessary to eat, a pumpkin pie and some green cheese. For beds they must use the sweet dried grasses which Jack had strewn along one side of the room, but that satisfied Dorothy and Ojo very well. Toto, of course, slept beside his little mistress.

The Pumpkinhead considered the matter gravely.

"I fear that wouldn't do," replied the Scarecrow. "The well must be naturally dark, and the water must never have seen the light of day, for otherwise the magic charm might not work at all."

"A gill."

"Why--a gill is a gill, of course," answered the Scarecrow, who did not wish to display his ignorance.

"No, no; that's wrong," interrupted the Scarecrow. "There are two kinds of gills, I think; one is a girl, and the other is--"

"No; a measure."

"Well, I'll ask Dorothy."

"I don't just know how much a gill is, but I've brought along a gold flask that holds a pint. That's more than a gill, I'm sure, and the Crooked Magician may measure it to suit himself. But the thing that's bothering us most, Jack, is to find the well."

"This is a flat country, so you won t find any dark wells here," said he. "You must go into the mountains, where rocks and caverns are.

"In the Quadling Country, which lies south of here," replied the Scarecrow. "I've known all along that we must go to the mountains."

"But--goodness me!--the Quadling Country is full of dangers," declared Jack. "I've never been there myself, but--"

"It's a wild country," remarked Dorothy, soberly, "and if we go there we're sure to have troubles of our own. But I guess we'll have to go, if we want that gill of water from the dark well."

It was a two days journey from Jack Pumkinhead's house to the edge of the Quadling Country, for neither Dorothy nor Ojo could walk very fast and they often stopped by the wayside to rest. The first night they slept on the broad fields, among the buttercups and daisies, and the Scarecrow covered the children with a gauze blanket taken from his knapsack, so they would not be chilled by the night air. Toward evening of the second day they reached a sandy plain where walking was difficult; but some distance before them they saw a group of palm trees, with many curious black dots under them; so they trudged bravely on to reach that place by dark and spend the night under the shelter of the trees.

Our travelers preferred to attempt to climb these rocks by daylight, and they realized that for a time this would be their last night on the plains.

By this time Dorothy had discovered they were people, tiny and curiously formed, but still people. Their skins were dusky and their hair stood straight up, like wires, and was brilliant scarlet in color. Their bodies were bare except for skins fastened around their waists and they wore bracelets on their ankles and wrists, and necklaces, and great pendant earrings.

"Who are you?"

"We're the jolly Tottenhots; We do not like the day, But in the night 'tis our delight To gambol, skip and play.

"We're ev'ry one chock full of fun, And full of mischief, too; But if you're gay and with us play We'll do no harm to you.

"Glad to meet you, Tottenhots," said the Scarecrow solemnly. "But you mustn't expect us to play with you all night, for we've traveled all day and some of us are tired."

These remarks were greeted with shouts of laughter by the impish creatures and one seized the Scarecrow's arm and was astonished to find the straw man whirl around so easily. So the Tottenhot raised the Scarecrow high in the air and tossed him over the heads of the crowd. Some one caught him and tossed him back, and so with shouts of glee they continued throwing the Scarecrow here and there, as if he had been a basket-ball.

The little brown folks were much surprised at being attacked by the girl and the dog, and one or two who had been slapped hardest began to cry. Then suddenly they gave a shout, all together, and disappeared in a flash into their various houses, the tops of which closed with a series of pops that sounded like a bunch of firecrackers being exploded.

"Is anybody hurt?"

"I feel much the same way," said Scraps. "My cotton stuffing had sagged a good deal with the day's walking and they've loosened it up until I feel as plump as a sausage. But the play was a little rough and I'd had quite enough of it when you interfered."

Just then the roof of the house in front of them opened and a Tottenhot stuck his head out, very cautiously, and looked at the strangers.

"If I had such a quality," replied the Scarecrow, "your people would have knocked it out of me. But I don't bear grudges. I forgive you."

"It was just a little rough-house, that's all," said the Tottenhot. "But the question is not if we will behave, but if you will behave? We can't be shut up here all night, because this is our time to play; nor do we care to come out and be chewed up by a savage beast or slapped by an angry girl. That slapping hurts like sixty; some of my folks are crying about it. So here's the proposition: you let us alone and we'll let you alone."

"Well, you ended it, so we won't argue the matter. May we come out again? Or are you still cruel and slappy?"

"That's a bargain!" cried the Tottenhot eagerly, and he gave a queer whistle that brought his people popping out of their houses on all sides. When the house before them was vacant, Dorothy and Ojo leaned over the hole and looked in, but could see nothing because it was so dark. But if the Tottenhots slept there all day the children thought they could sleep there at night, so Ojo lowered himself down and found it was not very deep."

Dorothy handed Toto to the boy and then climbed in herself. After her came Scraps and the Scarecrow, who did not wish to sleep but preferred to keep out of the way of the mischievous Tottenhots.

Toto kept an eye open, however, and uttered low, threatening growls whenever the racket made by the creatures outside became too boisterous; and the Scarecrow and the Patchwork Girl sat leaning against the wall and talked in whispers all night long. No one disturbed the travelers until daylight, when in popped the Tottenhot who owned the place and invited them to vacate his premises.

Chapter Twenty

As they were preparing to leave, Dorothy asked: "Can you tell us where there is a dark well?"

"Does anyone live on those mountains beyond here?" asked the Scarecrow.

"What are the people like?" Dorothy inquired.

So they left the man snuggling down to sleep in his dusky dwelling, and went out into the sunshine, taking the path that led toward the rocky places. They soon found it hard climbing, for the rocks were uneven and full of sharp points and edges, and now there was no path at all. Clambering here and there among the boulders they kept steadily on, gradually rising higher and higher until finally they came to a great rift in a part of the mountain, where the rock seemed to have split in two and left high walls on either side.

"How about that sign?" asked Ojo.

The Munchkin boy pointed to some words painted on the wall of rock beside them, which Dorothy had not noticed. The words read:

The girl eyed this sign a moment and turned to the Scarecrow, asking:

The straw man shook his head. Then looked at Toto and the dog said "Woof!"

This being quite true, they went on. As they proceeded, the walls of rock on either side grew higher and higher. Presently they came upon another sign which read:

"Why, as for that," remarked Dorothy, "if Yoop is a captive there's no need to beware of him. Whatever Yoop happens to be, I'd much rather have him a captive than running around loose."

"Still," said Scraps, reflectively:

"Not queer, but crazy," said Ojo. "When she says those things I'm sure her brains get mixed somehow and work the wrong way.

"Never mind; we'll find out all about him when we get to where he is," replied the little girl.

"Ah," said the Scarecrow, who was leading the way, "we must be near Yoop."

"What is it?" asked Dorothy, standing on tip-toes to look over his shoulder. But then she saw what it was and cried "Oh!" in a tone of astonishment.

"MISTER YOOP--HIS CAVE

Department Store advertisements). Temper, Fierce and Ferocious.--(Except when asleep.) Appetite, Ravenous.--(Prefers Meat People and Orange Marmalade.)

"It's a long way back," declared Dorothy.

But the Giant wasn't asleep. He suddenly appeared at the front of his cavern, seized the iron bars in his great hairy hands and shook them until they rattled in their sockets. Yoop was so tall that our friends had to tip their heads way back to look into his face, and they noticed he was dressed all in pink velvet, with silver buttons and braid. The Giant's boots were of pink leather and had tassels on them and his hat was decorated with an enormous pink ostrich feather, carefully curled.

"I think you are mistaken," replied the Scarecrow. "There is no orange marmalade around here."

"Haven't you eaten anything in many years?" asked Dorothy.

"Oh, I'm not going to be eaten," said Dorothy.

"I shall keep out of your way," she answered.

With this the Giant pushed his big arms, which looked like tree-trunks (except that treetrunks don't wear pink velvet) between the iron bars, and the arms were so long that they touched the opposite wall of the rock passage. Then he extended them as far as he could reach toward our travelers and found he could almost touch the Scarecrow--but not quite.

"I'm a Scarecrow."

"Me?" asked Scraps. "I'm a Patchwork Girl, and I'm stuffed with cotton."

Toto growled, keeping a good distance away.

So they turned and went around the bend in the passage, where they were out of sight of the cave and Mister Yoop could not hear them.

"He'd grab us," said Dorothy.

They decided to try this plan and Dorothy took Toto in her arms, so as to protect him. She followed just after the Scarecrow. Then came Ojo, with Scarps the last of the four. Their hearts beat a little faster than usual as they again approached the Giant's cave, this time moving swiftly forward.

The poor Scarecrow went whirling through the air and so cleverly was he aimed that he struck Ojo's back and sent the boy tumbling head over heels, and he tripped Dorothy and sent her, also, sprawling upon the ground. Toto flew out of the little girl's arms and landed some distance ahead, and all were so dazed that it was a moment before they could scramble to their feet again. When they did so they turned to look toward the Giant's cave, and at that moment the ferocious Mister Yoop threw the Patchwork Girl at them.

"We did it!" exclaimed the Scarecrow, with satisfaction. "And now we are free to go on our way.

"Allow me to apologize for the Giant," said the Scarecrow, raising the Patchwork Girl to her feet and dusting her skirt with his stuffed hands. "Mister Yoop is a perfect stranger to me, but I fear, from the rude manner in which he has acted, that he is no gentleman."

"Of course," said the little girl, when they had walked a way along the passage, "it was lucky for us the Giant was caged; for, if he had happened to be loose, he--he--"

Chapter Twenty-One

Hip Hopper the Champion

As they gazed upward at the great mass of tumbled rocks that covered the steep incline, Dorothy gave a little groan and said:

"Suppose," said Ojo, "you wait here and let me do the climbing, for it's on my account we're searching for the dark well. Then, if I don't find anything, I'll come back and join you.

So they began the climb and found it indeed difficult, for a way. But presently, in creeping over the big crags, they found a path at their feet which wound in and out among the masses of rock and was quite smooth and easy to walk upon. As the path gradually ascended the mountain, although in a roundabout way, they decided to follow it.

"Who are the Hoppers?" asked Dorothy.

"I didn't hear him," replied the girl.

"He said in the mountain," declared Scraps; "but of course he meant on it."

"No; he only said they were two separate nations, and that the Horners were the most important."

"Is this mountain in the Land of Oz?" asked Scraps.

"If the mountain is under Ozma's rule, why doesn't she know about the Hoppers and the Horners?" Ojo asked.

"Yes," admitted the straw man, "I've been considerable of a traveler, in my time, and I like to explore strange places. I find I learn much more by traveling than by staying at home."

"There wouldn't be a path, though, if it didn't go somewhere," said the Scarecrow, wrinkling his forehead in deep thought.

"The path is locked, the way is blocked, Yet here we've innocently flocked; And now we're here it's rather queer There's no front door that can be knocked."

"Well," said Dorothy, "I'm glad of a little rest, for that's a drea'ful steep path."

"Why, here's where the path goes to!" she exclaimed.

"It's underground; right inside the mountain," said Ojo, peering into the dark hole. "perhaps there's a well there; and, if there is, it's sure to be a dark one."

Toto looked in and barked, but he did not venture to enter until the Scarecrow had bravely gone first. Scraps followed closely after the straw man and then Ojo and Dorothy timidly stepped inside the tunnel. As soon as all of them had passed the big rock, it slowly turned and filled up the opening again; but now they were no longer in the dark, for a soft, rosy light enabled them to see around them quite distinctly.

After proceeding some distance, Toto, who had gone on ahead, began to bark loudly. They ran around a bend to see what was the matter and found a man sitting on the floor of the passage and leaning his back against the wall. He had probably been asleep before Toto's barks aroused him, for he was now rubbing his eyes and staring at the little dog with all his might.

Toto was usually a well behaved dog, but this time he was angry and snapped at the man's leg again and again. This filled the poor fellow with fear, and in hopping out of Toto's reach he suddenly lost his balance and tumbled heel over head upon the floor. When he sat up he kicked Toto on the nose and made the dog howl angrily, but Dorothy now ran forward and caught Toto's collar, holding him back.

"Who? Me?" asked the Hopper.

"Am I captured?" he inquired.

"Well," replied the man, "if I'm captured I must surrender, for it's the proper thing to do. I like to do everything proper, for it saves one a lot of trouble."

"I'm Hip Hopper--Hip Hopper, the Champion."

"Champion wrestler. I'm a very strong man, and that ferocious animal which you are so kindly holding is the first living thing that has ever conquered me."

"Yes. My people live in a great city not far from here. Would you like to visit it?"

"I think not. We have wells, you know, hut they're all well lighted, and a well lighted well cannot well be a dark well. But there may be such a thing as a very dark well in the Horner Country, which is a black spot on the face of the earth."

"The other side of the mountain. There's a fence between the Hopper Country and the Horner Country, and a gate in the fence; but you can't pass through just now, because we are at war with the Horners."

"Why, one of them made a very insulting remark about my people. He said we were lacking in understanding, because we had only one leg to a person. I can't see that legs have anything to do with understanding things. The Homers each have two legs, just as you have. That's one leg too many, it seems to me."

"You don't need them," argued the Hopper, obstinately. "You've only one head, and one body, and one nose and mouth. Two legs are quite unnecessary, and they spoil one's shape."

"Walk! Who wants to walk?" exclaimed the man. "Walking is a terribly awkward way to travel. I hop, and so do all my people. It's so much more graceful and agreeable than walking."

"Yes; there is another path from the rocky lowlands, outside the mountain, that leads straight to the entrance of the Horner Country. But it's a long way around, so you'd better come with me. Perhaps they will allow you to go through the gate; but we expect to conquer them this afternoon, if we get time, and then you may go and come as you please."

Chapter Twenty-Two

The Joking Horners

Built beneath this vast dome was a pretty village--not very large, for there seemed not more than fifty houses altogether--and the dwellings were of marble and artistically designed. No grass nor flowers nor trees grew in this cave, so the yards surrounding the houses carved in designs both were smooth and bare and had low walls around them to mark their boundaries.

"All hail, Champion!" cried a man in the first group of Hoppers they met; "whom have you captured?"

"Then," said another, "we will rescue you, and capture them, for we are greater in number."

"Never mind that," said Dorothy. "We will give you your liberty and set you free."

"Yes," said the little girl; "your people may need you to help conquer the Horners."

"This war with our neighbors is a terrible thing," remarked one of the women. "Some one is almost sure to get hurt."

"Because the horns of our enemies are sharp, and in battle they will try to stick those horns into our warriors," she replied.

"Each has one horn in the center of his fore head," was the answer.

"No; they're Horners. We never go to war with them if we can help it, on account of their dangerous horns; but this insult was so great and so unprovoked that our brave men decided to fight, in order to be revenged," said the woman.

"We have no weapons," explained the Champion. "Whenever we fight the Horners, our plan is to push them back, for our arms are longer than theirs."

"Yes; but they have those terrible horns, and unless we are careful they prick us with the points," returned the Champion with a shudder. "That makes a war with them dangerous, and a dangerous war cannot be a pleasant one."

"Oh!" cried the Hoppers in a chorus; "can you help us? Please do! We will be greatly obliged! It would please us very much!" and by these exclamations the Scarecrow knew that his speech had met with favor.

"Why, it's just the other side of the fence," they answered, and the Champion added:

So they followed the Champion and several others through the streets and just beyond the village came to a very high picket fence, built all of marble, which seemed to divide the great cave into two equal parts.

Looking through the open pickets of the fence our friends watched the Horners, who did not know they were being watched by strangers, and found them very unusual in appearance. They were little folks in size and had bodies round as balls and short legs and arms. Their heads were round, too, and they had long, pointed ears and a horn set in the center of the forehead. The horns did not seem very terrible, for they were not more than six inches long; but they were ivory white and sharp pointed, and no wonder the Hoppers feared them.

None of the Horners was yet aware of the presence of strangers, who watched the little brown people for a time and then went to the big gate in the center of the dividing fence. It was locked on both sides and over the latch was a sign reading:

"Can't we go through?" asked Dorothy.

"I think," said the Scarecrow, "that if I could talk with those Horners they would apologize to you, and then there would be no need to fight."

"Not so well," replied the Scarecrow. "Do you suppose you could throw me over that fence? It is high, but I am very light."

"No matter about that," returned the Scarecrow. "Just toss me over and I'll be satisfied."

Perhaps if the Scarecrow had been a trifle heavier he would have been easier to throw and would have gone a greater distance; but, as it was, instead of going over the fence he landed just on top of it, and one of the sharp pickets caught him in the middle of his back and held him fast prisoner. Had he been face downward the Scarecrow might have managed to free himself, but lying on his back on the picket his hands waved in the air of the Horner Country while his feet kicked the air of the Hopper Country; so there he was.

"Course not," said Dorothy. "But if he wig-gles that way he may tear his clothes. How can we get him down, Mr. Champion?"

"I don't know," he confessed. "If he could scare Horners as well as he does crows, it might be a good idea to leave him there."

"You are lucky to have anyone to help you," declared Dorothy. "But don't worry. We'll rescue the Scarecrow somehow."

"All right," said the Champion, and he picked up the Patchwork Girl and threw her in the same manner he had the Scarecrow. He must have used more strength this time, however, for Scraps sailed far over the top of the fence and, without being able to grab the Scarecrow at all, tumbled to the ground in the Horner Country, where her stuffed body knocked over two men and a woman and made a crowd that had collected there run like rabbits to get away from her.

"Who are you, Unknown Being?" he asked.

"And where did you come from?" he continued.

He looked at her thoughtfully.

"You must have been to visit the Wise Donkey," said Scraps, laughing so merrily that the crowd smiled with her, in sympathy. "But that reminds me, Captain--or King--"

"Of course; Little Jack Horner; I might have known it. But the reason I volplaned over the fence was so I could have a talk with you about the Hoppers."

"You've insulted them, and you'd better beg their pardon," said Scraps. "If you don't, they'll probably hop over here and conquer you.

The Chief smiled as he said this and the smile made his face look quite jolly.

"A Horner said they have less understanding than we, because they've only one leg. Ha, ha! You see the point, don't you? If you stand on your legs, and your legs are under you, then--ha, ha, ha!-then your legs are your under-standing. Hee, bee, hee! Ho, ho! My, but that's a fine joke. And the stupid Hoppers couldn't see it! They couldn't see that with only one leg they must have less under-standing than we who have two legs. Ha, ha, ha! Hee, bee! Ho, ho!" The Chief wiped the tears of laughter from his eyes with the bottom hem of his white robe, and all the other Horners wiped their eyes on their robes, for they had laughed just as heartily as their Chief at the absurd joke.

"Exactly; and so there's no need for us to apologize," returned the Chief.

"Not if we can help it," admitted Jak Horner. "The question is, who's going to explain the joke to the Horners? You know it spoils any joke to be obliged to explain it, and this is the best joke I ever heard."

"Diksey Horner. He is working in the mines, just now, but he'll be home before long. Suppose we wait and talk with him about it? Maybe he'll be willing to explain his joke to the Hoppers."

"No, he's short; he's shorter than I am. Ha, ha, ha! Say! that's a better joke than Diksey's. He won't be too long, because he's short. Hee, hee, ho!"

Chapter Twenty-Three

Peace Is Declared

So Scraps accompanied him along the street to a house that seemed on the outside exceptionally grimy and dingy. The streets of this city were not paved nor had any attempt been made to beautify the houses or their surroundings, and having noticed this condition Scraps was astonished when the Chief ushered her into his home.

"That's radium," answered the Chief. "We Horners spend all our time digging radium from the mines under this mountain, and we use it to decorate our homes and make them pretty and cosy. It is a medicine, too, and no one can ever be sick who lives near radium."

"More than we can use. All the houses in this city are decorated with it, just the same as mine is."

"Outside? Who cares for the outside of anything?" asked the Chief. "We Horners don't live on the outside of our homes; we live inside. Many people are like those stupid Hoppers, who love to make an outside show. I suppose you strangers thought their city more beautiful than ours, because you judged from appearances and they have handsome marble houses and marble streets; but if you entered one of their stiff dwellings you would find it bare and uncomfortable, as all their show is on the outside. They have an idea that what is not seen by others is not important, but with us the rooms we live in are our chief delight and care, and we pay no attention to outside show."

"Seems? Why, you're all seams, my girl!" said the Chief; and then he laughed heartily at his latest joke and a chorus of small voices echoed the chorus with "tee-hee-hee! ha, ha!"

"These," said the Chief, "are my sweet daughters. My dears, I introduce to you Miss Scraps Patchwork, a lady who is traveling in foreign parts to increase her store of wisdom."

"Why do they sit so still, and all in a row?" asked Scraps.

"But some are just children, poor things! Don't they ever run around and play and laugh, and have a good time?"

"Is it impolite to romp and shout and be jolly?" asked Scraps.

"That old bachelor who made the rules ought to be skinned alive!" declared Scraps, and would have said more on the subject had not the door opened to admit a little Horner man whom the Chief introduced as Diksey.

The Chief told the man that his joke had not been understood by the dull Hoppers, who had become so angry that they had declared war. So the only way to avoid a terrible battle was to explain the joke so they could understand it.

So the Chief and Diksey and Scraps left the house and went back to the marble picket fence. The Scarecrow was still stuck on the top of his picket but had now ceased to struggle. On the other side of the fence were Dorothy and Ojo, looking between the pickets; and there, also, were the Champion and many other Hoppers.

"My good Hoppers, I wish to explain that what I said about you was a joke. You have but one leg each, and we have two legs each. Our legs are under us, whether one or two, and we stand on them. So, when I said you had less understanding than we, I did not mean that you had less understanding, you understand, but that you had less standundering, so to speak. Do you understand that?"

"That is clear enough; but where does the joke come in?'"

"I'll tell you where the joke comes in," she said, and took the Hoppers away to a distance, where the Horners could not hear them. "You know," she then explained, "those neighbors of yours are not very bright, poor things, and what they think is a joke isn't a joke at all--it's true, don't you see?"

"Yes; it's true because you don't understand such a poor joke; if you did, you'd be no wiser than they are."

"So I'll tell you what to do," continued Dorothy. "Laugh at their poor joke and tell 'em it's pretty good for a Horner. Then they won't dare say you have less understanding, because you understand as much as they do."

"What do you think, Champion?" asked one of them.

They readily agreed to this and returned to the fence laughing as loud and as hard as they could, although they didn't feel like laughing a bit. The Horners were much surprised.

"I won't," promised Diksey. "If I think of another such joke I'll try to forget it."

There was much joyful shouting on both sides of the fence and the gate was unlocked and thrown wide open, so that Scraps was able to rejoin her friends.

"We must get him down, somehow or other," was the reply.

"A ladder's the thing."

"To be sure. We use ladders in our mines," said he. Then he ran away to get the ladder, and while he was gone the Horners gathered around and welcomed the strangers to their country, for through them a great war had been avoided.

As soon as he was on his feet and standing on solid ground the Scarecrow said:

The Horners began to laugh, thinking this was a joke, but the Scarecrow shook himself and

The little girl examined him carefully.

"Do so," he begged earnestly, and again the Hoppers laughed, to the Scarecrow's great annoyance.

"One of his legs is ripped, too!" she exclaimed.

"Ha, ha, ha!" laughed the Chief, and the other Homers at once roared with laughter.

"Don't you see?" asked Diksey, who had laughed even harder than the others. "That's a joke. It's by odds the best joke I ever made. You walk with your legs, and so that's the way you walk, and your legs are the ways. See? So, when you mend your legs, you mend your ways. Ho, ho, ho! hee, hee! I'd no idea I could make such a fine joke!"

"I don't know," said Diksey modestly. "Perhaps it's the radium, but I rather think it's my splendid intellect."

Ojo had been deep in thought, and now he asked the Chief: "Is there a dark well in any part of your country?"

"Oh, yes," said Diksey, who overheard the boy's question. "There's a very dark well down in my radium mine."

"Can't say; I've never looked to see. But we can find out."

"Still," said he, "I prefer not to do picket duty again. High life doesn't seem to agree with my constitution." And then they hurried away to escape the laughter of the Homers, who thought this was another joke.

Chapter Twenty-Four

They now followed Diksey to the farther end of the great cave, beyond the Horner city, where there were several round, dark holes leading into the ground in a slanting direction. Diksey went to one of these holes and said:

He went in first and after him came Ojo, and then Dorothy, with the Scarecrow behind her. The Patchwork Girl entered last of all, for Toto kept close beside his little mistress.

The floor of the tunnel was difficult to walk upon because it had been worn smooth as glass, and pretty soon Scraps, who was some distance behind the others, slipped and fell head foremost. At once she began to slide downward, so swiftly that when she came to the Scarecrow she knocked him off his feet and sent him tumbling against Dorothy, who tripped up Ojo. The boy fell against the Horner, so that all went tumbling down the slide in a regular mix-up, unable to see where they were going because of the darkness.

"Now," said Diksey, when they had all re gained their feet, "I will show you where the dark well is. This is a big place, but if we hold fast to each other we won't get lost."

"Be careful," said he warningly. "The well is at your feet."

Ojo knelt again and by feeling carefully in the dark managed to fill the flask with the unseen water that was in the well. Then he screwed the top of the flask firmly in place and put the precious water in his pocket.

They returned to the mouth of the tunnel and began to creep cautiously up the incline. This time they made Scraps stay behind, for fear she would slip again; but they all managed to get up in safety and the Munchkin boy was very happy when he stood in the Horner city and realized that the water from the dark well, which he and his friends had traveled so far to secure, was safe in his jacket pocket.

Chapter Twenty-Five

"Now," said Dorothy, as they stood on the mountain path, having left behind them the cave in which dwelt the Hoppers and the Horners, "I think we must find a road into the Country of the Winkies, for there is where Ojo wants to go next."

"I don't know," she replied. "I s'pose we can go back the way we came, to Jack Pumpkinhead's house, and then turn into the Winkie Country; but that seems like running 'round a haystack, doesn't it?"

"A yellow butterfly," answered the boy.

"Of course," replied the Scarecrow, brightening at the suggestion. "The Tin Woodman will do anything we ask him, for he's one of my dearest friends. I believe we can take a crosscut into his country and so get to his castle a day sooner than if we travel back the way we came."

They were obliged to go down the mountain before they found any path that led in the direction they wanted to go, but among the tumbled rocks at the foot of the mountain was a faint trail which they decided to follow. Two or three hours walk along this trail brought them to a clear, level country, where there were a few farms and some scattered houses. But they knew they were still in the Country of the Quadlings, because everything had a bright red color. Not that the trees and grasses were red, but the fences and houses were painted that color and all the wild-flowers that bloomed by the wayside had red blossoms. This part of the Quadling Country seemed peaceful and prosperous, if rather lonely, and the road was more distinct and easier to follow.

"This is queer," mused Dorothy, looking at the water reflectively. "Why should there be any road, if the river stops everyone walking along it?"

"That's the best answer you'll get," declared the Scarecrow, with his comical smile, "for no one knows any more than Toto about this road."

"Ev'ry time I see a river, I have chills that make me shiver, For I never can forget All the water's very wet. If my patches get a soak It will be a sorry joke; So to swim I'll never try Till I find the water dry."

"No," decided Dorothy, "we couldn't swim it if we tried. It's too big a river, and the water moves awful fast."

"Couldn't we make a raft?" suggested Ojo.

"Wow!" said Toto again, and Dorothy saw he was looking along the bank of the river.

A quarter of a mile along the bank stood a small, round house, painted bright red, and as it was on their side of the river they hurried toward it. A chubby little man, dressed all in red, came out to greet them, and with him were two children, also in red costumes. The man's eyes were big and staring as he examined the Scarecrow and the Patchwork Girl, and the children shyly hid behind him and peeked timidly at Toto.

"I think I do, Most Mighty Magician," replied the Quadling, bowing low; "but whether I'm awake or dreaming I can't be positive, so I'm not sure where I live. If you'll kindly pinch me I'll find out all about it!'

"But he's alive," protested the man, "and he oughtn't to be, you know. And that other dreadful person--the girl who is all patches--seems to be alive, too."

"I've a right to be surprised, haven't I?" asked the man meekly.

"Never mind all that," said Dorothy. "Tell us, good Quadling, how we can get across the river."

"Don't you ever cross it?" asked the girl.

"Don't travelers cross it?"

They were much surprised to hear this, and the man added: "It's a pretty big river, and the current is strong. I know a man who lives on the opposite bank, for I've seen him there a good many years; but we've never spoken because neither of us has ever crossed over."

The man shook his head.

"Where does this river go to?" asked Dorothy.

The Scarecrow looked at the water before them.

"That is true," agreed Dorothy; and then they all looked thoughtful and wondered what could be done.

"Will you?" inquired Dorothy, turning to the Quadling.

"I'm too lazy," he said. "My wife says I'm the laziest man in all Oz, and she is a truthful woman. I hate work of any kind, and making a raft is hard work."

"No; I don't care for emeralds. If it were a ruby, which is the color I like best, I might work a little while."

"Without trouble!" exclaimed the Quadling, much interested; "then those tablets would be fine for a lazy man. It's such hard work to chew when you eat."

"I'll do it," decided the man. "I'll help, and you can do most of the work. But my wife has gone fishing for red eels to-day, so some of you will have to mind the children."

There were a number of fallen trees near the house and the Quadling got his axe and chopped them into logs of equal length. He took his wife's clothesline to bind these logs together, so that they would form a raft, and Ojo found some strips of wood and nailed them along the tops of the logs, to render them more firm. The Scarecrow and Dorothy helped roll the logs together and carry the strips of wood, but it took so long to make the raft that evening came just as it was finished, and with evening the Quadling's wife returned from her fishing.

This they did, spending a pleasant evening with the Quadling family and being entertained with such hospitality as the poor people were able to offer them. The man groaned a good deal and said he had overworked himself by chopping the logs, but the Scarecrow gave him two more tablets than he had promised, which seemed to comfort the lazy fellow.

Chapter Twenty-Six

Next morning they pushed the raft into the water and all got aboard. The Quadling man had to hold the log craft fast while they took their places, and the flow of the river was so powerful that it nearly tore the raft from his hands. As soon as they were all seated upon the logs he let go and away it floated and the adventurers had begun their voyage toward the Winkie Country.

They had floated several miles down the stream and were enjoying the ride when suddenly the raft slowed up, stopped short, and then began to float back the way it had come.

They began to recognize the scenes they had passed, and by and by they came in sight of the little house of the Quadlings again. The man was standing on the river bank and he called to them:

They had no time to answer him, for the raft was swept past the house and a long distance on the other side of it.

But they could not get to land. They had no oars, nor even a pole to guide the raft with. The logs which bore them floated in the middle of the stream and were held fast in that position by the strong current.

"Good day! Glad to see you again. I expect I shall see you a good many times, as you go by, unless you happen to swim ashore."

"This is pretty hard luck," said Ojo in a discouraged voice. "The Trick River keeps changing, it seems, and here we must float back and forward forever, unless we manage in some way to get ashore."

"No; I'm Ojo the Unlucky."

"I don't know whether I could swim, or not," remarked Scraps; "but if I tried it I'd surely ruin my lovely patches."

So there seemed no way out of their dilemma and being helpless they simply sat still. Ojo, who was on the front of the raft, looked over into the water and thought he saw some large fishes swimming about. He found a loose end of the clothesline which fastened the logs together, and taking a gold nail from his pocket he bent it nearly double, to form a hook, and tied it to the end of the line. Having baited the hook with some bread which he broke from his loaf, he dropped the line into the water and almost instantly it was seized by a great fish.

When they reached the place where the current had before changed, the fish was still swimming ahead in its wild attempt to escape. The raft slowed down, yet it did not stop, because the fish would not let it. It continued to move in the same direction it had been going. As the current reversed and rushed backward on its course it failed to drag the raft with it. Slowly, inch by inch, they floated on, and the fish tugged and tugged and kept them going.

The fish did not give up, but held the raft bravely on its course, till at last the water in the river shifted again and floated them the way they wanted to go. But now the captive fish found its strength failing. Seeking a refuge, it began to drag the raft toward the shore. As they did not wish to land in this place the boy cut the rope with his pocket-knife and set the fish free, just in time to prevent the raft from grounding.

They clung to the tree until they found the water flowing the right way, when they let go and permitted the raft to resume its voyage. In spite of these pauses they were really making good progress toward the Winkie Country and having found a way to conquer the adverse current their spirits rose considerably. They could see little of the country through which they were passing, because of the high banks, and they met with no boats or other craft upon the surface of the river.

Floating around a bend they saw ahead a high bank of water, extending across the entire river, and toward this they were being irresistibly carried. There being no way to arrest the progress of the raft they clung fast to the logs and let the river sweep them on. Swiftly the raft climbed the bank of water and slid down on the other side, plunging its edge deep into the water and drenching them all with spray.

After passing the wall of water the current did not change or flow backward any more but continued to sweep them steadily forward. The banks of the river grew lower, too, permitting them to see more of the country, and presently they discovered yellow buttercups and dandelions growing amongst the grass, from which evidence they knew they had reached the Winkie Country.

"Pretty soon," he replied. "The Tin Woodman's castle is in the southern part of the Winkie Country, and so it can't be a great way from here."

"There it is! There it is!"

"The Tin Woodman's tin castle. I can see its turrets glittering in the sun. It's quite a way off, but we'd better land as quickly as we can."

The Winkie Country was really beautiful, and across the fields they could see afar the silvery sheen of the tin castle. With light hearts they hurried toward it, being fully rested by their long ride on the river.

"How beautiful they are!" cried Dorothy, stopping to admire the perfection of these exquisite flowers.

"Why not?" asked Ojo.

"Are flowers alive?" asked Scraps.

"Once," said Dorothy, "the Tin Woodman stepped on a beetle and killed the little creature. That made him very unhappy and he cried until his tears rusted his joints, so he couldn't move 'em."

"Put oil on them, until the joints worked smooth again.

It was a long walk, but a pleasant one, and they did not mind it a bit. Late in the afternoon they drew near to the wonderful tin castle of the Emperor of the Winkies, and Ojo and Scraps, who had never seen it before, were filled with amazement.

When they entered the spacious grounds our travelers found more to admire. Tin fountains sent sprays of clear water far into the air and there were many beds of tin flowers, all as perfectly formed as any natural flowers might be. There were tin trees, too, and here and there shady bowers of tin, with tin benches and chairs to sit upon. Also, on the sides of the pathway leading up to the front door of the castle, were rows of tin statuary, very cleverly executed. Among these Ojo recognized statues of Dorothy, Toto, the Scarecrow, the Wizard, the Shaggy Man, Jack Pumpkinhead and Ozma, all standing upon neat pedestals of tin.

Chapter Twenty-Seven

The Tin Woodman Objects

The Tin Woodman wanted to know, first of all, where Dorothy had found the Patchwork Girl, so between them the visitors told the story of how Scraps was made, as well as the accident to Margolotte and Unc Nunkie and how Ojo had set out upon a journey to procure the things needed for the Crooked Magician's magic charm. Then Dorothy told of their adventures in the Quadling Country and how at last they succeeded in getting the water from a dark well.

Presently the Tin Woodman changed his position, and at once Ojo, to the astonishment of all, dropped to the floor and held his crystal vial under the Emperor's knee joint. Just then the drop of oil fell, and they boy caught it in his bottle and immediately corked it tight. Then, with a red face and embarrassed manner, he rose to confront the others.

"I caught a drop of oil that fell from your knee-joint," confessed Ojo.

"Never mind," said Dorothy. Ojo seems glad to have the oil, for some reason."

"You are very welcome to it, indeed," said the Tin Woodman. "Have you now secured all the things you were in search of?"

The Munchkin boy said this with much pride and pleasure.

"The left wing of a yellow butterfly," said Ojo. "In this yellow country, and with your kind assistance, that ought to be very easy to find."

"Surely you are joking!" he said.

"But do you think for a moment that I would permit you, or anyone else, to pull the left wing from a yellow butterfly?" demanded the Tin Woodman sternly.

"Why not? You ask me why not? It would be cruel--one of the most cruel and heartless deeds I ever heard of," asserted the Tin Woodman. "The butterflies are among the prettiest of all created things, and they are very sensitive to pain. To tear a wing from one would cause it exquisite torture and it would soon die in great agony. I would not permit such a wicked deed under any circumstances!"

"Who cares for a butterfly?" she asked.

"Not the snap of a finger, for I have no heart," said the Patchwork Girl. "But I want to help Ojo, who is my friend, to rescue the uncle whom he loves, and I'd kill a dozen useless butterflies to enable him to do that."

"You have kind instincts," he said, "and with a heart you would indeed be a fine creature. I cannot blame you for your heartless remark, as you cannot understand the feelings of those who possess hearts. I, for instance, have a very neat and responsive heart which the wonderful Wizard of Oz once gave me, and so I shall never--never-never permit a poor yellow butterfly to be tortured by anyone."

"I'm glad of that," said the Tin Woodman. "As I rule the Winkie Country, I can protect my butterflies."

"Then he must remain a marble statue forever," declared the Tin Emperor, firmly.

"I'll tell you what to do," said Scraps. "We'll take a whole yellow butterfly, alive and well, to the Crooked Magician, and let him pull the left wing off."

"Then what in the world shall we do?" asked Dorothy.

"We must all go back to the Emerald City and ask Ozma's advice. She's a wise little girl, our Ruler, and she may find a way to help Ojo save his Unc Nunkie."

"Is anything hurting you?" inquired the Tin Woodman in a kindly tone, for the Emperor was with the party.

"Why are you Ojo the Unlucky?" asked the tin man.

"Friday is not unlucky," declared the Emperor. "It's just one of seven days. Do you suppose all the world becomes unlucky one-seventh of the time?"

"Thirteen! Ah, that is indeed a lucky number," replied the Tin Woodman. "All my good luck seems to happen on the thirteenth. I suppose most people never notice the good luck that comes to them with the number 13, and yet if the least bit of bad luck falls on that day, they blame it to the number, and not to the proper cause."

"And mine," said Scraps. "I've just thirteen patches on my head."

"Many of our greatest men are that way," asserted the Emperor. "To be left-handed is usually to be two-handed; the right-handed people are usually one-handed."

"How lucky!" cried the Tin Woodman. "If it were on the end of your nose it might be unlucky, but under your arm it is luckily out of the way."

"Then we must turn over a new leaf and call you henceforth Ojo the Lucky," declared the tin man. "Every reason you have given is absurd. But I have noticed that those who continually dread ill luck and fear it will overtake them, have no time to take advantage of any good fortune that comes their way. Make up your mind to be Ojo the Lucky."

"Never give up, Ojo," advised Dorothy. "No one ever knows what's going to happen next."

The people joyfully cheered the appearance of the Tin Woodman, the Scarecrow and Dorothy, who were all three general favorites, and on entering the royal palace word came to them from Ozma that she would at once grant them an audience.

"He is quite right," said Ozma, who did not seem a bit surprised. "Had Ojo told me that one of the things he sought was the wing of a yellow butterfly I would have informed him, before he started out, that he could never secure it. Then you would have been saved the troubles and annoyances of your long journey."

"As it has turned out," remarked Ojo, "I can never get the things the Crooked Magician sent me for; and so, unless I wait the six years for him to make the Powder of Life, Unc Nunkie cannot be saved."

"Dr. Pipt will make no more Powder of Life, I promise you," said she. "I have sent for him and had him brought to this palace, where he now is, and his four kettles have been destroyed and his book of recipes burned up. I have also had brought here the marble statues of your uncle and of Margolotte, which are standing in the next room.

"Oh, let me see Unc Nunkie! Let me see him at once, please!" cried Ojo eagerly.

Chapter Twenty-Eight

The Wonderful Wizard of Oz

"I did my best, Unc," he said, with a sob, "but it was no use!"

Aside from the marble statues of Unc Nunkie and Margolotte, the Glass Cat was there, curled up on a rug; and the Woozy was there, sitting on its square hind legs and looking on the scene with solemn interest; and there was the Shaggy Man, in a suit of shaggy pea-green satin, and at a table sat the little Wizard, looking quite important and as if he knew much more than he cared to tell.

Ozma took a chair which Jellia Jamb wheeled forward for the Ruler, and back of her stood the Scarecrow, the Tin Woodman and Dorothy, as well as the Cowardly Lion and the Hungry Tiger. The Wizard now arose and made a low bow to Ozma and another less deferent bow to the assembled company.

As he pronounced these words the Wizard waved his hand toward Dr. Pipt and instantly every crooked limb straightened out and became perfect. The former magician, with a cry of joy, sprang to his feet, looked at himself in wonder, and then fell back in his chair and watched the Wizard with fascinated interest.

"I thank you," said the cat, in a soft voice.

"Much obliged," said the Woozy. "That beats being fenced up in a lonely forest and starved."

"That's all right," said Scraps.

As he said this the Wizard advanced to the statue of Margolote and made a magic pass, at the same time muttering a magic word that none could hear distinctly. At once the woman moved, turned her head wonderingly this way and that, to note all who stood before her, and seeing Dr. Pipt, ran forward and threw herself into her husband's outstretched arms.

But now Ojo rushed up and threw his arms joyfully about his uncle, and the old man hugged his little nephew tenderly and stroked his hair and wiped away the boy's tears with a handkerchief, for Ojo was crying from pure happiness.

"I have given to you, my dear Ojo and Unc Nunkie, a nice house just outside the walls of the Emerald City," she said, "and there you shall make your future home and be under my protection."

"Yes; and it is true!" replied Ojo, gratefully.

THE WIZARD OF OZ THE LAND OF OZ OZMA OF OZ DOROTHY AND THE WIZARD IN OZ THE ROAD TO OZ THE EMERALD CITY OF OZ THE PATCHWORK GIRL OF OZ TIK-TOK OF OZ THE SCARECROW OF OZ RINKITINK IN OZ THE LOST PRINCESS OF OZ THE TIN WOODMAN OF OZ THE MAGIC OF OZ GLINDA OF OZ